We all carry in our heads the idea of ourselves, the self image. Desires and faults which we try to keep close to the vest aside, a componant to the truth lay outside of ourselves.
This is why often no one thinks their recorded voice sounds like them, as they think it is. The same goes for images. If the pose is not one set up as the subject imagines to be ideal, then it often seems “off” as it’s not inline with the self image.
I prefer to not work with professional models as the poses that they have worked so hard to learn have an artificiality to them which freeze dries the emotions which are the raison d’etre for all my work.
Often, I use same people over course of many pieces and years. As our history grows, a sense of trust develops. They know that, whether they like how some aspect of their visage is portrayed, it is the truth and the truth, an honesty, is always beautiful.
The trust allows for natural body language which helps facilitate emotions.
For this piece, I wanted a delicacy but also the sense of blood rushing and hot just below the skin.
This is only my third painting in my new studio. I was very pleased with results.
“Reds” 5.5×8.5 watercolor and paper