Cinefield® – Where the Sauce is Deluxe

Throughout my oeuvre, emotion is my ultimate goal. I want the viewer to feel something. Music is my main source of inspiration regardless of subject matter or even medium.

I have pretty big ears, never restricting myself to one genre nor era.

Although I lean towards jazz & classical I do have some categorization defying things in heavy rotation too. Things like Kruder & Dorfmeister, Kina Rao and Funki Porcini.

Funki Porcini is an absolute favorite to whom I have listened to for years. His music encapsulates various moods. In lieu of one sonic voice ever present on every album which can lead to a feeling of heard one heard them all, he offers up instead, technique which he uses to great effect to create dense dreamlike works.

My Cinefield® vary, from cityscapes to floral explosions to abstracted colors and shapes. The commonality being their density and dreamlike quality.

I now have the pleasure of one of my Cinefield®  being used as a cover for the forthcoming full length album by Funki Porcini. Both share the same title. As is always the case with my Cinefield®all the images I used were from photos which I personally took. There is no digital magic, just my trusty scissors, I applied adhesive with a brush. One difference in my methodology was in only listening to a specific soundtrack comprised of a pile of albums including the new one and a few other favorite of his as I worked. The piece is 11×14 inches.

I will put up details on where the album is available once its out.

Cinefield® – Where the Sauce is Deluxe 11×14

There is a special multi-night gig associated with this going on:

We will be doing the album launch with the Laserium at commonground in Coventry, four nights 28-31st January.

Tickets HERE

These are not the small trusty scissors but the cut last minute chad ones

              

Cinefield® Tiny Annie Two Trips

After finishing my last Cinefield® I started a painting. Weather conspired against me with heavy fog & rain. As they do not require same light situations, I switched to doing another Cinefield®. I wanted to make this one look painterly, a further evolution of chops & (artistic) mission.

It proved to be a labor intensive piece. At 11×14 it took me longer to do than some of my far larger pieces. As is always the case, I only used images from photos which I personally took, utilizing my trusty scissors and adhesive applied with a brush. There is no digital magic done after the fact. This is a personal favorite of mine, not just within my Cinefield® work but for my entire oeuvre.

This was by no means the smallest size of pieces I dealt with for this work

Another song About a Girl

Once again I tried to change things up a little. I used a heavy stock brown paper 11×14 inches landscape oriented.

Throughout my oeuvre I had done paintings of close up of body parts. The challenge of this to varying degree is that if one does a super close up of an arm or belly without the outline of limbs/silhouette, it’s not necessarily easy to know what as a viewer, one is seeing.

Without visual guidelines, it’s tougher to show volume & mass of a body. This is one of the challenges I enjoy. If I can make the viewer feel the curve of a part without showing the edge, then it’s “easy” when doing an entire body or section.

Another aspect of this which I enjoy is that even when really nailing the volume and mass effect of the skin, there’s a sort of abstract property to the piece. I like the concept of a viewer enjoying these types of works just for the colors and effects rather than the “Does it look like this person?” aspect which can occasionally be a distraction. This piece is not as tight a zoom as I sometimes do for this type of work.

Another Song About a Girl 11×14 Brown Paper & watercolor

Cinefield®-Van Dyne Annulated

Once again, I sought to challenge myself with my Cinefield® as to avoid lapsing into mere mannerism. As with my last piece, I went with a limited color palette, in this case one reminiscent of some of the submariner greens Degas used. I also stuck to sea changing via my cutting, only one image.

I was pleased with the results. As is the case with all my work, I only use images which I personally took the photo(s) of. There is never any digital magic as I utilize the traditional method of my trusty scissors and adhesive applied with a brush.

Cinefield®-Van Dyne Annulated 9×12

Some Girls

I had many balls in the air these past few weeks including my first smaller trip outside of the city. Slowly, I worked on a painting where I tried a few new things. I am pleased with the results. The camera i had gotten during the pandemic as to be able to properly capture my work ended up being more of a nemesis than help. Despite having done all kinds of research beforehand, it was only after the fact i found out how notoriously difficult that it was to use. I sucked it up and went for a consult, the store owner was helpful, not trying merely make a sale. I ended up with a Sonny which is amazingly easy to use and feels good in my hand too. This is first painting i have used it on.

“Some Girls” 9×12 watercolor & Paper

Hotel Internacional, Mars

People’s dreams of “The future” are never as mundane nor inconvenient as the reality. I find myself having to head back to Mars, yet again on business.

The first year or so after the war, every soldier was treated like a hero. The drinks were free. Now, a new generation of student activists who viewed the whole thing in less heroic terms. The root of which often was just a contrary streak in regard to their parents’ politics. We all took our medals off the lapels of our jackets, except a few of the older guys. In their eyes, to do so would be tantamount to a defeat.

I pulled my boots off, it served no purpose, it was safety theater for the less well traveled. Inevitably the line would hit a snag, everyone held up as prohibited fruit was confiscated from someone who didn’t want to pay those Mars prices and thought that they were slicker than the TSA.

The bell at the front desk. I appreciated that they managed to not only still have such an archaic device but that somehow even after all these years, they had prevented its theft. My fingertip hit the small nubbin atop the shiny silver dome.

“Ah Mister Wesley, welcome back. We have your usual room ready; Business or pleasure bring you once again back to us?”

“It’s Mars.”

I knew he would appreciate the subtly of allowing each eavesdropper to ascribe their own meaning to my answer.

I adjusted the strap on my bag and headed for the lift. I cast a final glance to the desk, we exchanged nods and I kidded myself that this time would be different.

Text & image W.Wolfson 8/18/21

Marlina

I got some new paper to try for both my lyra pieces and watercolors. While the results with the Lyra were good, I much prefer my usual paper for the medium. I then decided to try doing a watercolor piece with it. And while I am very pleased with the results, with this too I prefer my usual paper. For both mediums though, the results were good enough that I will use up the pad, switching off between it and my preferred paper.

One of my great pleasures in life is portraying flesh in paint. I never tire of making volume and mass appear on what started off as a flat white square.

This piece is 7×10 “Marlina”

addendum: Deracine Magazine has new summer issue out, It has one of my early-proto “In the Eights”. The magazine has a clean minimalist design and is worth checking out

https://deracinemagazine.com/

The Other Sister

Slowly whittling down my previously on hold list of mundane but necessary things I had not been able to do while sheltering in place. I’ve managed to keep a steady if somewhat slower rhythm with my work.

This piece is 9×12 Watercolor on Paper.

CINEFIELD® Return

After a year plus of sheltering in place, one of the first things I did when at liberty to go out again was to restart taking walks. In finding a positive from a negative, the little things now all seemed fresh, new & beautiful. The palms, ferns and other tropical plants which grow up out of the sidewalks looked fantastic to my thirsty eye. The tiny architectural flourishes to be found on various older buildings previously unnoticed, now interesting and meriting a stop to look.

I am in no huge rush to go back to bars or even restaurants. It is my now twice daily walks which have made me once again start to feel among the living. I went to the local farmers market, half a second of apprehension from now finding myself among so many people again. The flower merchants with their plastic buckets offering sprays of color.

It is beauty not merely seen on my computer monitor nor emerging from the end of my hand onto paper that lets me know that I am returning to life.

This piece is 11×14. As always is the case, all the images are from photos I personally took ( in this instance from walks in park and farmers market). There is no digital magic, just my trusty scissors and adhesive applied with a brush.

Lyra Two

Now twenty days past my second vaccine, I can start dealing with things which had been on hold for year plus. The vents in my studio needed flushing/servicing. Because of this, I could not do a painting nor start a                 CINEFIELD® which would put sheets of tiny cut out components everywhere.

I did my nightly drawing but also continued to hone my Lyra chops. This was perfect medium for my situation as it was like painting but each piece was one session after which I could put equipment away.

Studio is back up and running and i have started a new  CINEFIELD®. As these are time consuming, i decided to post some more of my Lyra pieces.

Each is 9×12