Face Dances: Assorted Tangos

I work within several mediums now. All are taken seriously, with none being considered second class citizens within my oeuvre. My favorite thing is to conjure up flesh in paint. Next on the list would be drawing faces. I never caricature the subject, doing a sort of raw reportage. This means I put in all the little imperfections of which I posses my share.  I do prefer portraying an extreme emotion. Unlike a potentially phony smile or the staid visage which a lot of us offer up to the world when aware of being watched, it is real. The real for me will always be beautiful. Regardless of what else I have done during the day every single night I draw too. One benefit of all the time I put into the pencil is that I have become fairly quick in executing portraits. This is a sample of evenings over past week or so.

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V-Lot 1311

A contemporary thinker & social theorist has said that a big problem with society (North American) is that most people’s idea of happiness has strictly become when things go their way. This seems to reduce down joy to a sort of effortless achievement whose main prize is not being bothered/challenged nor reprimanded. This mindset also eliminates the possibility  of simple, spontaneous pleasures, such as a good conversation, cup of coffee or unexpectedly discovering some previously unknown work of art which resonates.

Another contemporary  thinker said that we all must allow ourselves to be bored. He himself had come up with some of his best ideas waiting for a train or doing some of life’s other mundane but necessary tasks. In being bored one’s mind is not taken up with the immediate things to be done or superficial distractions and can wander. Without being preoccupied by the “must(s)” there is also more of a receptive aspect to contemplation.

Two ideas which call for the cessation of immediate, effortless reward.

As easy & beneficial as letting oneself be bored is, more & more society is regressing back to childhood en-masse. Most can not stand in line for the two minutes in at Starbucks to get their coffee without massaging the screen of a device with fingertip.

I like traveling but not the logistics of it, all the time tables not of my own making which must be rigidly adhered to. The seemingly endless waits when en-route. I will admit though, when forced to wait as is required when on the road, i have eschewed digital distractions and come up with many ideas for later use in my works.

There are trips with destinations that I do not like but must go to. This is almost like a concentrated form of allowing oneself to be bored (or miserable). As even in this , there is often fuel for my work.

I just returned from one such trip. While on the road I did work with which I am pleased. Once home, ideas I had while away inspired some further works. When going through a bad time on the road, while it is happening it is unpleasant but once out of the experience it can prove to be a currency of sorts. Even if you are not an artist, give yourself the occasional gift of being bored.

V-Lot 1311 colored pencil & paper 11×14

 

VLot

 

 

Cinema

Regardless of subject matter, I always like my work to give the sensation of the viewer as voyeur to something.

If you take footage of someone, whether they are crying, laughing even just talking, looking at the action one frame at a time the face distorts. There is a difference, sometimes drastic, from how it looked even a few frames beforehand. A neck will swell out, the nose seems of a different shape. The difference can be markedly different, each frame going towards forming a crowd of people who look similar but not exact as can occur within a family.

I decided to do a short series of 3 panels each 9×12 sequentially of a scene. I achieved the effect of what I was viewing.

 

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New Pencil

Ages ago I had received a 5 MM pentel mechanical pencil whose lead sleeve retracted into the barrel. On first look, i did not like it. This was back when the aesthetics of my equipment were still a major factor in my choosing of what to use. Aside from the retractable lead sleeve, the other feature often promoted were the soft rubber bumps all over  the area your fingers gripped. These were supposed to provide an anti slip aspect along with preventing your hand from getting tired as quickly. At the time I thought it further detracted aesthetically from any potential appeal the pencil might have held for me.

Once you are doing something all the time, for long stretches of time, any feature of it which can be specialized as to make the process less arduous is a must. Does the trumpeter who plays in weddings and parties on weekends as reprieve from their regular nine to five work week need a special custom mouth piece? No. Did Miles? Of course. I now spend seven days a week, hours on end with pencils in my hand. Anything I can do to lessen the negative aspects of this from  the type chair I use to what pencils, I will. While I still like the look of my equipment to  be pleasing, functionality is now the main consideration.

Now wherever in the world I am, I have one of my preferred pencils in my equipment case, but I also have one of the Pentel. This is because on the road i do not necessarily go out all the time with my trusty book bag,  I can throw it in a  pocket and not have to worry about the lead sleeve being bent, nor having it punch a hole through a pocket. An added appeal for me is that, while the pencil is by no means “hard” to use, it does not work with same intuitive ease as my preferred ones. However, getting the effects I want and doing good work with it makes using my preferred pencils feel all the more easy. I enjoy the modicum of challenge and will sometimes use this “lesser” pencil even at home in the studio just to stay limber.

For Christmas, I just received a new kind of retractable pencil made by company that makes my favorite to use. Aesthetically, it’s nicer looking than the pental. As with the Pentel, it does not operate as easily as my preferred type but I do enjoy using it. And I have already found that much like the Pentel, if I can make the magic with this pencil, then the preferred ones are even easier. The whole effect I would compare to when a runner trains with weights on their ankles, the day of the race removing the weights to run unfettered feels easier. The retraction mechanism is different from Pentel, neither better nor worse but just different. Pentel you press on the pocket clip and the sleeve retracts, with this one it is a twist and lock.

This is the second drawing I did using the new pencil. 9×12

It was worth paying for his drink if only because he tried getting a free round by telling  the bartender:

“I have crossed rivers of time to find you.”

W.Wolfson’19

 

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Face Witness

 “This, the face in the mirror” he waved his hands in a soft circle as if starting a magic trick or trying to grasp an intangible abstraction.

“Your pencil getting all this boy?” I eyed the  chessboard, but my hand was busy. The pencil glides. I always did.

W.Wolfson

 

9×12 Quick Sketch

 

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Modern Times

Drawings done while waiting for dinner or tea. I did not have anything in mind beforehand but after the fact thought of Goya. First and foremost, the duty of every artist is to create.

Graphite & Paper 9×12

 

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Mad King

With my work i am always seeking to evolve and become better & better. One way I do this is to leave my comfort zone of methodology which I have down pat. All my work falls within a very specific size range. To further mix things up, I have begun doing larger works than our my usual norm. I still prefer my smaller sizes (5.5×8.5 -9×12) but I do enjoy the challenge and have been pleased with all my larger works.

 

“Mad King” 14×17 graphite & paper

 

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Dior Glasses

There is a pleasure to exploring when on the road. A different but equally satisfying thing is to have places all over the world where one is known, a regular. This is a self portrait of me at one of my favorite places while on the road.

Watercolor & Multi Media Paper 9×12

 

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