Wayne Wolfson is a completely self-taught artist. His main mediums are watercolor on paper in a figurative style, graphite and collage. His works have been seen in shows & and private collections worldwide. Wayne cites music as his key influence.
With collage, his are a little different than the rest. He only uses images from photos which he personally took. He is so serious about collaging that he came up with a term for his ( Cinefield®) which he then had trademarked.
The definition is "Flat, two-dimensional visual works of art on paper which create the feeling of movie-like narratives through a composition of image rich and story-like printed pictures."
He never uses any digital magic. All his work utilizes the traditional method of scissors and adhesive applied with brush. It is very time consuming and he equates it to some extent to the master watchmakers and those bent over their bench haute couture maestros who hand sew every bead onto a piece.
In-between bouts of atmospheric river storms I was able to hit the road. Although not with the same ferocity as at home, the rain followed me. This was OK as it was a short trip and I had already envisioned only having time to do my nightly woodshedding sketches and maybe a lyra piece or two.
I was to be flying home into yet another storm! My flight was delayed most of the afternoon. I sat at the terminal becoming newly crowned crossword king.
While sending out texts to everyone to let them know that I was delayed but all right, I snapped a quick selfie.
Lately a lot of my painting have been on tan paper and 11×17. This piece is white Canson paper 5×7
As I wrap up various projects for 2022 time feels oddly accelerated. There’s not enough hours in the day.
I was recently turned onto the Post website. From what I have seen of it, I like it. By way of saying thank you and showing appreciation to all those who have bothered to seek out my works I posted a free essay from my last collection Funeral Clothes.
I had gotten this great pair of gloves right before the pandemic which sat in their cool little case for so long that I had forgotten about them. Going through my clothes, I came across them, still patiently waiting to be worn out.
This is a selfie on tan paper. New gloves & coat.
11×14 inches watercolor & tan paper
Rarely do I promote my for sale things be it my books or visual works. I want an audience and not customers. Personally, I also find it a turn off to want to see what an artist you are interested in is up to and every post ends w/a sales pitch. However, we are in the gift giving season. I have some art for sale. Have a peek. (these are truly limited, not merely sales pressure verbiage)
Long have I been a fan of Mondrian. My library is full of many books on his work. He would arrange the orientation of some of his canvas in a diamond shape. The work was done with this in mind and it was more than merely going for an unorthodox positioning, the shape was part of the tension and release for the pieces.
I decided to challenge myself, doing my version of this. I cut down a piece of heavy tan multi-media paper to a different shape for me. It was not mere arbitrary move though, I had in mind before starting the rhythm of the piece. To facilitate further evolution, I had in mind to make this cityscape a day time scene since most of my others pulse with a nighttime luminescence.
For a longtime I have been a fan of Ron Carter. There is a new documentary Ron Carter: Finding the Right Notes . It is well worth seeing. It shows a man whose lifetime devotion and joy is in serving the process. At a time that I was being pulled in all different directions, it served as the perfect reminder of what’s important.
As is always the case, all the photos used for this were taken by myself. There is no digital magic, I used traditional method of scissors and adhesive applied with a brush.
I currently have a few projects going, including a unique sized CINEFIELD® from paper I cut down myself. It’s taking slightly longer than expected as I am trying several new things. Even with all going on, I still draw & woodshed every night.
Lyra graphite sticks have become a favorite medium. It allows for painterly effects and a touch not dissimilar to that of watercolor. I am into all the mediums which I use, but my favorite two are drawing and painting. The Lyra pieces combine aspects of both of these mediums.
This was a small piece of multi medium paper. It’s close up of Jimi Hendrix. I enjoyed doing an unorthodox compositional balance in 3×5 inches
I used a toned tan paper for this painting. It requires a slightly different touch as it’ heavier than my usual paper. I am grateful for the trust put in me by my models (mostly friends & acquaintances) . This allows for a relaxed attitude in posing, the mien organic and revealing a truth.
My sculptures are an acquired taste, which I am fine with. The personal appeal of then for me is in their looseness. Unlike my other visual mediums, there is a large component of improvisation to them. Materials help dictate composition.
Currently I am in middle of two projects which are taking up the lion’ share of space in my studio. I can not start a new Cinefield®. I do miss process. I knew that I could do a regular collage and it would not encroach upon other things going on space & time wise.
This is a collage, not Cinefield® because unlike the later, I did not create the base images. Rarely now do I work in the medium of collage utilizing images not from pictures which I personally took. Like my sculptures, this gave me the same pleasure derived from loose improvisation. This rare occurrence of using other’s images is akin to jazz great playing a standard, someone else’s melody providing the frame work for their voice to flow.
The piece is 7×10 inches. No digital magic just scissors & adhesive applied with a brush.
Female of the Species
It is not often that I mention things of mine available for purchase. I have teamed up with a great framer & photo lab to produce a series of extremely limited edition Cinefield® prints. The info can be found here. Once they are gone, that is it.
I have been unexpectedly tied up with various things. Even with a full tilt boogie schedule, I draw or woodshed every day. All the various mediums which have become synonymous with me I fell into by complete happenstance while exploring. Each of these things, no longer new to me, I miss if I got too long without doing (or should I say crave?). My next big project is a large painting. While I can’t start it yet, I get the same pay off emotionally/intellectually/spiritually doing Lyra pieces. Although monochrome, they have a painterly feel to them and the touch required in making them is similar. An additional plus is, if I can achieve the desired feel utilizing only one color, then when using my paints proper, it feels easier.
This is part of an ongoing series. The genesis of the project can be found here with new installments appearing throughout my blog;
I now have two printers. One is black and white and used just for text. The other is a high-grade/hi def photo printer for my visual work.
As I went to print up the first of these 8’s I forgot to toggle the switch so that it printed on regular paper in black and white. I actually liked it and so am including it here. The other black and white image was an element of chance occurrence, I lifted the paper up and the unfastened components formed the face. It’s looser than my intentional 8’s but I still liked it.
I am always seeking models for the series as it continues to be ongoing. When I am not the one taking the photos, they are done specifically for me (as opposed to found images). There’s no digital magic just my trusty scissors and adhesive applied with brush.