Patricia

One of her grandmother’s last wishes was that she get in shape. Although she liked her body as is, she agreed.

Photos are exacting in their detail so that the mind does not retain the memory of feelings and other acute emotional detail.

I was asked to document the body that she was leaving behind. No matter how much a portrait matches the subject, there is that component of space which we all fill in ourselves.

Capturing her with brush and pencil will keep her past vivid in memory and not merely a perfect reproduction from which all emotion has been freeze dried out.

Patricia 7×10 Watercolor & Cotton Paper

 

patricia

‘Nita

Emotion is a truth which is always beautiful.

Collecting art has become rarefied. Where as formerly passion and an eye (personal sense of aesthetics) were the main & most important prerequisites, they have been supplanted by space and money.

The size of my works is intentional. I have in mind new collectors for whom space is at a premium. Apartment dwellers should not feel it an impossibility to start a collection.
I also have in mind burgeoning collectors who are just starting to delve into the myriad genres of art out there. A large piece starts to dictate what directions a collection will go in for people living in normal sized spaces. Smaller works do not create a visual limitation.
I want the collector to live with my works and not (feel as if) under them which may occur in apartments.

Always is the striving for emotion to come across in my work(s) and this size bolsters it by almost creating a senses that one is witnessing a scene, the viewer as a voyeur.

” ‘Nita” 9×12 Watercolor & Cotton Paper (1st painting of ’19)

neets

Black & Orange Can

Lopsided grin not visible but the splashing of the water did not drown out the song that she sang to herself. The traffic, one driver in anger or celebration leans on his horn and through the closed door could almost be Fats Navarro taking a chorus. W.Wolfson

 

Last Painting of ’18 9×12 Watercolor & Multi Media Paper

 

caro diario

Hustle & bustle of commissions plus holiday social commitments. In lieu of proper blog post here are some recent quick guerilla sketch things from my ever present pocket pad.

3×5

 

Reds

We all carry in our heads the idea of ourselves, the self image. Desires and faults which we try to keep close to the vest aside, a componant to the truth lay outside of ourselves.

This is why often no one thinks their recorded voice sounds like them, as they think it is. The same goes for images. If the pose is not one set up as the subject imagines to be ideal, then it often seems “off” as it’s not inline with the self image.

I prefer to not work with professional models as the poses that they have worked so hard to learn have an artificiality to them which freeze dries the emotions which are the raison d’etre for all my work.

Often, I use same people over course of many pieces and years. As our history grows, a sense of trust develops. They know that, whether they like how some aspect of their visage is portrayed, it is the truth and the truth, an honesty, is always beautiful.

The trust allows for natural body language which helps facilitate emotions.

For this piece, I wanted a delicacy but also the sense of blood rushing and hot just below the skin.

This is only my third painting in my new studio. I was very pleased with results.

“Reds” 5.5×8.5 watercolor and paper

 

Reds

songs About Women:Song Two: To The Na

Second piece in ongoing series:

 

Song Two: To The Na:
She initially endeared herself to me when I discovered that if she or someone in her life were going on a trip (flying) she always said her goodbye as if it could be for the last time. The same mistrust of planes as I, acted upon.

She had a thing for feet which she insisted was not sexual, when I suggested it might be otherwise w/her male social media pals, she became incensed.
In short order, I was proven correct as most of us, especially on social media, are dogs.

In her anger & embarrassment, we didn’t talk for a year and a half.

Something about her eyes and the real estate around it reminds me of a Vasquez piece I once saw. Of course she is my kind of beautiful.

Halfway around the world, she popped into my head unexpectedly when late one night when Mar-Mar wanted to paint my toe nails. I said no and we all prowled the bars around Montparnasse ,eating olives and salted almonds out of tiny white dishes in between drinks, until becoming on the verge of queasy.
W.Wolfson ’18

 

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