Tag: writing

Cap

I was reading an article by a modern thinker or what some would label as a philosopher. He pointed out that in modern society happiness has now become largely defined in North America as when things go 100% one’s way. Everything coming up roses with zero effort, resistance or work required is not what one should aspire to. The rare if not impossible occurrence of such a state existing aside, a little bit of tension, setbacks, challenges, these things foster evolution. Grit creates pearls and pressure diamonds and to avoid these aspects of life is to miss out.

The weather has still not been on my side for traveling and getting new photos for my Cinefield® work. I continue to use the time I would have spent creating my next Cini to paint and do various experiments with water soluble graphite.

I was initially a little annoyed at having to back-burner working on my next Cinefield® but it has allowed me to add to my painterly technique. It turned into an opportunity even though I had not initially viewed it as such.

In about two weeks I will be on the road and hopefully getting some photos to utilize.

Here is latest painting. It’s 11×17 Watercolor & tan paper.

I want an audience not customers. Social media platforms more and more force artists into being merchants or coming across as attention starved with “the numbers game” of chasing likes views et al. I have been getting emails asking what pieces I have for sale which is nice as it’s not info that i bombard people with. For anyone interested:

http://www.waynewolfson.com/works-for-sale

by Wayne Wolfson

Vibe

The short trip I had planned to take photos for my next Cinefield® had been put off. I took the time that I would have been working on that and painted. For two plus weeks now my area has been in the grip of triple digit heatwave. Getting more photos further stymied, I have continued on with painting.

I usually switch between Cinefield®, painting and other visual project, so working on so many paintings in a row is novel for me.

To keep it fresh, for each painting I change the type & size.

This one had an unique compositional balance to it. I find beauty not necessarily in what is aesthetically pleasing to the eye, but what is real.

This piece is 7×10 French Cotton paper & watercolor.

I am always looking for interesting things to paint & draw, if interested send email.

by Wayne Wolfson

L

Among my greatest pleasures is to portray flesh with paint. It is not a salacious thing, it need not be a nude. I’ve done many hands and other body parts. I have done closeups on things so that they verge on abstractions, the viewer initially not knowing what they are looking at.

This is an aspect of painting which consistently keeps me engaged. The wonderment of it, one starts with a flat two dimensional square or rectangle. With pencil & brush you conjure up not only volume and mass but the suggestions of warmth as blood rushes to the surface in areas or through the veins. It is akin to a sort of magic trick and no matter how many times I do it, I still marvel at it.

I switch the types of paper I use as to avoid lapsing into mere mannerisms. With everything else that I do creatively, there are still times that certain types of paper or pencils fall to the wayside temporarily.

This piece is 9×12 and on a white paper which was main one I used to use most of the time. I have finally circled back to it once again. After such a long break, the one which had been the de rigueur found itself the new-thing challange.

I was very pleased with results.

L 9×12 Watercolor & Paper

I am always looking for interesting things to draw/paint. If you think you have something email me.

by Wayne Wolfson

Truth is Beauty

Ever present cell phones have allowed all to capture the minutia of their lives via pics and Shakey-hand movies. on occasion marvelous things have been captured. The more present negative is that people have forgotten how to look at paintings.

A “good” painting now must be in the real/hyper real style, being comparable to photos. It is not desirable to see the artist’s hand via brush strokes et al in a work.

I was in a museum which was having a Magritte  show. There were the by now all overly familiar images on display. People would walk up to the best works, striding off muttering in disappointment that they liked it more when they had seen it on a computer screen or postcard, in person it looked “too homemade” i.e. brushstrokes etc.

I am not afraid of having one of my drawings look like a drawing or a painting. With Matisse for example, no one is going to study anatomy off of one of his works. However, when he portrays a woman reclining on a couch, you know what you are looking at. Had you been alive at that time and in the neighborhood you might even recognize the woman. Most importantly, even after all these decades, the captured emotion still radiates out of the works.

I prefer to not use professional models. There’s often an artificiality to their poses. My main thing is emotion, this is what I want to give the viewer even more than admiring technique.

More often than not, I use people whom i know and that trust me. This allows for a realness which is beautiful. The realness of my paintings is not the technique but the natural poses and emotions.

Truth is Beauty 11×17 Watercolor on tan paper

by Wayne Wolfson

Dear Diary

With everyone having phones now the ability to capture amazing scenes is always just a pocket away. When something is too easy though, it starts to loose power. Phone-cams went from being at the ready in case something fantastically dramatic should occur to being merely the facilitator of the mostly mundane minutia of people’s live being on a non-stop social media scroll.

One of the biggest and most far reaching negatives of this is how it effects people being in the stream of life. I travel, often. An overly familiar sight now is people rushing around a famous museum or well known area (Luxembourg Garden et al) stopping to raise their phone slightly above themselves while duck billing, snap a pic, then rushing off. Their justification is that they are capturing memories. So preoccupied are they in getting the perfect pics to post that they are not in the moment, not in the stream of life.

Once back home they can show you them standing by some landmark, some great work of art but there can be no description which makes you feel as if there. Even for them, this is the case and they had actually been there.

The adage that travel broadens the mind is not merely about ticking off things on a list of what to see, where to go. It is absorbing a place with all its ambient characteristics which hopefully in some way add to you long after the trip is over.

I am not anti-photo, I take some myself wherever I am. But see and capture with your eyes first. I always have a 3×5 pad in my pocket. I will do small sketches when on the road and take notes. Not always dramatic, sometimes it’s just a room service tray with the leftover bones of a hastily eaten meal or my book bag hanging off the back of a chair.

Not everyone can draw, but you should still keep a little pad on you. Use it to take notes. In doing this you will actually be more present in the moment if you slow your roll and take a beat to describe what you are seeing. As you are doing this just for yourself, even if you can’t draw, why not try anyways?

That is another negative of social media, everything seems to be motivated now towards getting views/likes. The recently departed Paul Auster said “Do a thing simply for the beauty of doing it.” To live this way, you may not garner as many likes etc but you will create true memories.

by Wayne Wolfson

Cinefield® Miles

For all my work, I’ve always had two main goals. To develop a discernable voice and to create works which in some manner effect the viewer. The first was achieved via lots of sweat and singular concentration, while the second will be a life-long mission.

The problem with having a recognizable voice is that one can either unintentionally or out of laziness lapse into mere mannerisms. This is to be avoided at all costs. It is the motivation behind my constantly leaving my comfort zone and trying new things.

For Miles I sought to make it different than what had come previous. It can still be recognized as a sibling of the predecessors as the medium does to some extent effect the voice. The mission for this one was that I wanted the viewer to be able to go back multiple times and find new little moments occurring within to notice.

As is always the case with these works, I only use photos which I personally took. For this piece, I was fortunate to find an area which was trying to entice night people with entire buildings being lit up in purples and pinks. These colors being new to my Cini palette were a great way to further the newness I was trying to achieve. I would combine an overall different color palette with an increased rhythmic complexity.

There is no digital magic, I used my trusty scissors to cut out tiny pieces and a brush for adhesive. The piece is 11×17 inches.

I always have a sort of soundtrack when I do Cinefield® pieces. I do not merely listen to same albums over and over, the soundtrack is what i start out with and as the day goes on other things are put on. They serve as an initial mood setter. This piece’s soundtrack:

Miles Davis Big fun

The Soft Pink Truth Is It going to Get Any deeper Than This

Bennie Maupin & Adam Rudolph Symphonic Tone Poem For Brother Yusef

Mozart (Rene Jacobs conducting) La Clemenza di Tito

(C) 2024 Wayne Wolfson not for use without permission

by Wayne Wolfson

Paper chamber pieces

I am finally temporarily done with being a road-dog and the weather has turned beautiful and spring like. Starting a new Cinefield®.

While busy with everything else going on, I have continued to draw every day. It is part of who I am. I also hope that it offers brief break from the mundane and the pressures for all those who take a minute to look.

My Cinefield® work is labor intensive, but I will still draw a little at the end of every day.

Quick Lyra Piece

by Wayne Wolfson

Quickies

Between weather, the release of my latest book and travel I have not been able to start my next large project. With everything going on, I do still draw every day. This woodshedding is akin to musicians practicing scales.

It serves another purpose too, a type of antidote for the current zeitgeist, a brief reprieve from doom and gloom of news and what feels like non-stop culture wars over even the tiniest things.

More and more, I feel it is every artist’s duty to do their thing. Not necessarily to put any sort of message in their work, but offer up some form of beauty as a reminder that there are things out there which link us all and there are things out there longer lasting and ultimately more important than any “I”.

If my work gives someone even five minutes of peace or distraction, then it has done its job.

These are some quick sketches. In about a week i start my next big project.

by Wayne Wolfson

Blinky

There’s a cottage industry devoted to helping people to pursue the dream of becoming a working artists. There is a lot of advice, some contradictory and other things just not how it works in the real world. Or, if it works that way, it is far slower going and heavily sprinkled with rejections and other unavoidable negative aspects.

The one commonality though is that one must have an online presence. Starting with a personal page which should not look as if only free sample software was utilized. There is also the need to have a social media presence. This is the thing so many get wrong.

Have updates of what you are doing in regards to new releases, shows, concerts etc. (It is strange though to keep up a steady stream all day long on twitter et al. When are you working? )

The biggest mistake with social media is the machine gun approach. The theory being if you have something you want people to buy/see just send a deluge out onto social media non-stop. Ten, fifty, one hundred thousand people see it and then if only “X” percent act….

Rarely does it work this way, to a higher percentage of people you are being an annoyance or another thing to mark future communications to go directly to spam folder.

Of course all artists want their work to be seen, myself included. But you should want an audience, not customers. Social media has definitely made it so that there is potential to reach many people with the press of the button, but done too often or two impersonally the only thing achieved is adding to the volume of cacophony of voices yelling “look at me, buy my stuff”.

I have several pages which have been around at this point for years. Anyone familiar with them sees that I rarely steer people towards commerce side of my artistic life. Exceptions being mainly when i have a new book out.

My newest collection is just out and you can find it at amazon in Paperback & kindle versions.

by Wayne Wolfson