Bled Ink

I came up as an artist pre-internet. The thing that was drilled into everyone’s head was that you could spend your life serving the process and never be known in your lifetime, never catch that brass ring. People would disappear from the scene after a year or so of doing straight jobs and then spending large chunks of their free time in solitary pursuit of serving the process for seemingly nothing.

Of course no one would passively accept an artistic life of anonymity. We made xerox staple ‘zines, we held shows in anyone who had an living room to spares place, we played barbeques and house parties.

Another way of seeing how serious one was about being an artist was effort took to actually make a ‘zine (the way they looked often did not reflect the amount of effort put in). There was not a glut of ‘zines because it was no easy thing and it cost money.

The internet seemed to make things more egalitarian to those locked out of the studio/academic system. It also allowed an artist to reach those beyond their city.

The great promise morphed, now you had some of the gate keepers extending their kingdom to online, new submitters forced to jump through new hoops as to make editor/gallerist’s egos throb and grow.

After a few years of this though, the people seemed to have had enough. Everyone was now doing their own thing online largely under their own power. Yes, there are still journals and galleries et al to submit to. More often than not they do not look that great and their only value lay in making someone just starting out or a dilettante feel validated because someone they don’t know chose one of their works (often for a submission fee)

I am not anti-internet nor anti anything which allows one to be heard. However, it has become too easy. I have lost count of how many artist in visual medium and writing i have encountered who are not bad but need more time. With a blog, social media etc etc one can write a short story, do a drawing and put it up and even if it is not great, still garnering thousands of views. It gives very little incentive for an artist to woodshed. With no woodshedding and no serving the process there can be no evolution.

Rather than work on their voice & vision people now machine gun post what they are up to and selling on social media. We have a new generations of artists who do not have an audience but rather customers. There is an odd (and often obnoxious) Always Be Closing attitude with artists now.

All the likes and reposts which social media posted art receives, regardless of skill set and how much the work is not ready to be viewed has emboldened a sense of permission for the attachment on posts for the asking for something i.e Ko-fi, Patron, buy-me-a-coffee et al.

I am not anti selling one’s work. Of course if you are an artist you would like make some money for what you do if for no other reason than it allows you to continue on doing it. Nor am I anti self promotion but with this i do feel there is some etiquette to be observed too.

Anyone who follows my blog knows that I do not pester with the merchant side of what I do except for maybe twice a year, one of which is always the release of my latest collection. Often occurring in the spring. My new collection is out, first to be released not in the spring as I was finishing writing a novel.

I am both pleased and proud of it. It is available in paperback and for kindle at amazon.

Version 1.0.0

Memory Museum

Anyone who has followed my blog or social media pages knows that I have largely eschewed the too prevalent “buy my stuff” postings. I want an audience, not customers.

Showing what I do is easier with my visual work than my writing. With that, I do once or twice a year call attention to a new release. Not a bad average in trying not to annoy or pressure for those who take the time to follow me.

My latest release is just out. It is available for Kindle & paperback on amazon Most likely I have said this with the last three releases, truly, this is a personal favorite.

Blinky

There’s a cottage industry devoted to helping people to pursue the dream of becoming a working artists. There is a lot of advice, some contradictory and other things just not how it works in the real world. Or, if it works that way, it is far slower going and heavily sprinkled with rejections and other unavoidable negative aspects.

The one commonality though is that one must have an online presence. Starting with a personal page which should not look as if only free sample software was utilized. There is also the need to have a social media presence. This is the thing so many get wrong.

Have updates of what you are doing in regards to new releases, shows, concerts etc. (It is strange though to keep up a steady stream all day long on twitter et al. When are you working? )

The biggest mistake with social media is the machine gun approach. The theory being if you have something you want people to buy/see just send a deluge out onto social media non-stop. Ten, fifty, one hundred thousand people see it and then if only “X” percent act….

Rarely does it work this way, to a higher percentage of people you are being an annoyance or another thing to mark future communications to go directly to spam folder.

Of course all artists want their work to be seen, myself included. But you should want an audience, not customers. Social media has definitely made it so that there is potential to reach many people with the press of the button, but done too often or two impersonally the only thing achieved is adding to the volume of cacophony of voices yelling “look at me, buy my stuff”.

I have several pages which have been around at this point for years. Anyone familiar with them sees that I rarely steer people towards commerce side of my artistic life. Exceptions being mainly when i have a new book out.

My newest collection is just out and you can find it at amazon in Paperback & kindle versions.

Where’s My Stuff?

As I wrap up various projects for 2022 time feels oddly accelerated. There’s not enough hours in the day.

I was recently turned onto the Post website. From what I have seen of it, I like it. By way of saying thank you and showing appreciation to all those who have bothered to seek out my works I posted a free essay from my last collection Funeral Clothes.

Happy and Healthy holidays to all!

https://post.news/article/2JKHi8u5FG0ywYjyn7DObbTTiSb

Funeral Clothes

The magic of the internet, artists no longer need face the prospect of spending a life in service of the process but with their oeuvre largely unseen. The flip side of this coin is that there are some artists who, without easy access to an audience would have to work harder and ultimately become better artists. It also has made artists seek not an audience but customers, their output reduced down to just another commodity.

I try to largely eschew promoting what I have for sale. A cursory look at my blog shows what a rare occurrence the promotion of things for sale is.

However, I am not anti commerce. Art is meant to be seen, to be read. I have a new collection which just came out. Succinctly, it’s beautiful, it’s heavy.

Available at Amazon in Kindle & paperback