Tan Lines

9×12 watercolor & paper

During having to stay home she took sun baths on her balcony. From there she could see into my studio window, watching me work. Hers was one of many faces who while away the time taking in the mellow rays of the sun, which after an hour or so almost managed to trick the body into thinking everything is all right,  watching me work. when I finished a piece I would turn it towards window so she could see what I had been working on. shyly at first, she started informally modeling.

To me, the real is always beautiful. It facilitates emotions which in turn allow the viewer to return to a work over and over without becoming bored.

The size of my works is intentional. Their size helps bolster the feeling of happening upon a scene from an open ended story. Shelter in place has shown a lot of us that our living space is smaller than we realized. The wall sized pieces so often emphasized make a collector live under the piece and not with it. The larger size and familiarity also eventually creates the effect of a work just becoming first visual static, then merely a wall. My smaller pieces engage the viewer as one is making the choice to look at it rather than having it loom over them.

I also keep in mind the burgeoning collector who is just starting to collect. Large pieces, especially for an apartment dweller can dictate the style of the collection while also limiting the amount which can be displayed. I want my works to be able to be included in a collection as it and the collector’s tastes grow.

Ultimately bigger is not better, there is just more of it.

 

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Schnabel Flag & A Portrait

I decided to  switch to mostly using cloth napkins. While sheltering in place it makes it a little nicer when finding oneself at the same table meal after meal. When the second wave of people being sick hits and those without empathy become even more animalistic than they had shamefully been during the initial outbreak,  (paper napkins) it will be one less thing I have to worry about being hoarded and unenviable to me. I ordered a few extra packs online so i am not perpetually washing them.

One pack i got looked like the pattern of the type of pajamas Julian Schnabel wears out in public. By coincidence the night before they arrived I had a dream that he had come over. I had made tagliatelle with my Palermo sauce.  After eating we sat at the table not bothering about clearing it, talking. I doodled on a napkin. When it was time to go home, without asking permission, he took my napkin doodle .

I took one of these Schnabel napkins and tacked it to my studio wall like a flag. A flag under which I serve, a flag of a conquered nation. A totem that there are others out there who also live to serve the process.

 

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I just completed this portrait. I used multi-media paper. The most important aspect for all my work is that emotion comes through. The true is always beautiful and i do not think in my ever growing body of work there is one face that is not.

“This Moment” 9×12 Watercolor & Paper

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M Shelter in Place

The building across the way from my *studio, I had used images of it in my last large collage. I knew to Wait for no one to be around as to not have my phone being pointed in that direction misconstrued.

When it is my painting hours I am now sometimes watched by others  from their Juliet balconies. At first it was just something for them to do while getting some air, cup or coffee or smoke in hand. After first week of this i know there developed some curiosity about what I was working on.

Now, when I finish a piece I turn it towards the window so that they may from their concrete and steel nests, see it.

I am currently working on a large 22×30 painting. I must go slower as its new paper to me and the weather has been wet. So far I am pleased with the results.

During tough times I think it important anyone capable of creating beauty to do so. Not as a means of distraction but rather a reminder of what we eventually will return to once the crisis is over (beauty/culture). It is the reaffirmation that as long as the night seems, there will eventually be a dawn.

Beauty & culture also serve as a reminder during a crisis of who we are, not merely people trying to survive but a small part of a greater whole.

*I have live/work studio and am not breaking quarantine

This piece is 9×12 Watercolor & Multi Media Paper.

 

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