Bee Curtain

She repeatedly stuck her tongue out for almost every piece that she posed for. It was not my thing and I believe that she was thinking of someone else.

With every person that I draw/paint/sketch I aim for a truth but only a truth of that moment. What they look like, their likeness there and then.

The same person appearing over the course of several (or many) pieces may look slightly different each time.

This is a phenomenon naturally occurring in real life. Me sitting next to you in a car going down the highway will look different than me sitting across from you in a cafe etc etc.

This has to do with the effects played upon the subject by mood, health and ambient environment.

I avoid photo realism which to me can be flat, in favor of it looking like the subject but as occurring in art.
Where once this was the de rigeur , in the digital age this is all too often forgotten. We want an exactness that is the camera’s job not the brush nor pen.

The dynamics between artist & model is as if the artist is talking about the model using their own words (words being their style) and hands.
W.Wolfson

Bee Curtain watercolor & cotton paper 10×14

 

beecurtain

Poem

Watercolor & 7×10 Cotton Paper

Compelling works of art regardless of medium, allow one to return to them again and again without diminished enjoyment. Another point of pleasure is in the ability to find new things in a previously enjoyed work.

In painting, especially the representation of flesh, this opportunity is ever present.
I get pleasure from portraying not just volume and mass, but also creating a sense of depth on what started out as a blank white square.

While I could accomplish similar feats in representing say a piece of fruit, skin allows to for the suggestion of heat as in a blush, motion as in composition of limbs and what is hinted at in the purple-blue of veins.
For the viewer to come away with any sense of this after looking at my work is the greatest achievement for me.

 

Poem

 

 

 

Witold Lutosławski

Watercolor & Paper 5.5×8.520180304_144412

Music is my main source of inspiration. I do not limit myself in regards to what I listen to. There are some definite favorites but I am constantly exploring, pulling new things towards myself.

There is the desire to always be evolving as an artist, I want my voice to be recognizable but I do not want mere mannerisms. Aside from challenging myself in what & how I work, expanding what I listen to is another part of my method. I do not embrace something only to down the line drop it for something newer to me but rather use favorites as navigational points into where else to explore.

Stravinsky has led me to Witold Lutoslawski (1913-1994). I instantly enjoyed everything i heard by him. Like some of my other favorite composers, it is not something I can put on at just any time but when I do put it on it deeply resonates with me.

When I do a portrait of a musician or composer, it is interesting to consider if, someone viewing the piece not familiar w/the subject would see it in a different way than someone who knows their work.

 

Candy Wax Lips

watercolor & paper 9×12

I think some of the best work, regardless of medium allows for one to repeatedly go back to it and find new things within. With that in mind, in this piece I utilized my preferred delicacy of detail while also incorporating a solidness of the body. I show the contrast in aspects of the subject in this piece by combining her sense of playfulness with an aesthetic eros. The actual candy wax lips were grabbed on the way to the session by me in a moment of whimsical improvisation.

 

wax Candy Lips

Scarf

watercolor & Paper 5.5×8.5

I want a voice but never only a style. To prevent myself from ever lapsing into mere mannerism and foster my desire for always evolving I mix things up.

There is nothing wrong with having preferred equipment and a place to work but unless one plans on never leaving home/studio it can stymie being able to work or do work as powerful as when utilizing the ideal.

To side step the issue every few days I use different type of pencil, from the best to junk and same with paper.

With painting I change the size and type of paper from piece to piece.

With this piece I wanted emotion without allowing a face to convey it and on smaller paper. scarf

Two Drawings

I draw every day, regardless of where in the world I am. My ever present companion is my pocket sketchpad. Even after finishing a painting, that night I will still spend an hour or so drawing.

I will do fully realized pieces but also sometimes fill pages with endless sketches of lips, breasts, eyes and especially hands.

“Woodshedding” it is akin to musicians practicing scales. Some pieces from my pocket pads are fully realized and have been sold, while others are just results of a night’s or cafe visits woodshedding. Both feel equally pleasurable & important to me.

 

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Strange Pastry

watercolor & Multi Media Paper 9×12

 

For me, the most important aspect of any work is emotion. More than technique, this is the lasting gift one can give to their audience. Honesty is often the best facilitator of emotion and when honesty is present the piece will always be beautiful regardless of image.

20180212_142325

Cosi Ervamo Noi

Watercolor & paper 5.5×8.5

 

Watercolor is my preferred medium for the ability to convey delicacy & density at the same time. This is especially true when doing portraiture. With all my portraits I try to capture an aspect of the subjects personality not just in the moment but in general.

The dimensions of the piece I chose as a way to allow art to be enjoyed by someone who does not necessarily have a large living/working space. The modest size also allows for easy moving from one spot to another. As much as some of my favorite paintings are large, it can be a worrying commitment to someone just starting their collection or developing their aesthetic taste. My smaller pieces allow for an easier cohabitation than might occur with a large scale work.cosiervamonoi