Delight

I currently have no new raw material (photos) for my next Cinefield®. I do not mind as I am enjoying painting. Portraying human flesh with paint continues to give me the same pleasure as when I initially was able to do it well.

Here are two new pieces. Both are watercolor on paper. One in my pocket pad 4×4 inches and the other a new paper I recently discovered 5×7.

There is a great quote by author Paul Auster along the lines of “Do a thing simply for the beauty of doing it.” As an artist, I came up pre-internet (this was when I also had to have a string of terrible day jobs) A buddy and I would do literal Xerox-staple ‘zines. We would run all over town bullying, pleading & annoying Bookstores, Record stores anyplace, to carry them.

If two people saw them, you felt like you were one hundred feet tall. But, this was the bonus as it was about serving the process. It was a calling, a romance, which I am still swept up in. There was not the worry of social media numbers, likes. reposts etc.

I have noticed that many Parisian artists sort of have this attitude. Of course it has become a necessity to maintain an online presence no matter where in the world one is, but you do not see heads bent in prayer to screens in the same way you do stateside.

Do a thing for the beauty of it and the rest will follow, it may not be as immediate as posting and then getting a “like” but it will be more lasting and meaningful.

Paris Painter III

I have been greatly enjoying using my newish pocket pad for painting. It is interesting how ambient light effects a piece. If a room is naturally darker then the application of paint is thicker whereas a really bright space less paint is used. This is because of how the eye perceives the colors.

My studio has a natural sort of yellowish/gold tinge to it. I am fortunate in that I can see in my mind’s eye how to compensate for it.

“M After” Watercolor & pocket pad 4×4 inches

Drawing with impulse buy pencil

One of my other favorite statues in Paris

so many buildings have plaques denoting who lived there, when and what they did. There are many for Picasso who had numerous homes in the city. Sometimes an artists had many homes because they kept skipping out on the rent! With some artists you see several plaques all within the same arrondissement.

Paris Painter II

The lighting in my new studio is different, but I feel I have a handle on it now. I am well into the swing of things. I’ve mostly been using my semi new to me pocket pad for painting. Drawings been spread out all kinds of paper. 4×4 inches

I discovered a new to me paint company. They have been around since 1830. Among many greats, Matisse and Renoir got their watercolors from them. They remain very artisan. Just looking at the paints you see the difference in pigments. They also have proprietary colors.

paints are not paints, each hue has its own distinct properties and then this varies even more from company to company.

Not knowing if I would like them, I just bought five to try. This is why on my first piece skin doesn’t have volume & mass I usually achieve. I instantly liked the paint, it handles diff than anything else I have used. Decided to go all out, new 5×7 paper, new paint.

Maestro. One my fave statues in all of Paris.

R (Adventure of a Paris Painter 1)

For the first time in a decade I’ve had to change my Parisian studio. Gone the view of the dome for Val de Grace and the enormous bird who sleeps in the windowbox among the geranium, his throaty song heralding dawn.

I was a little sad of course. On the other hand in warmer weather once past the noon hour I would not have to paint clad in a sarong and tee shirt or risk baking like a potato.

I am still learning the light in new place, ideal times to paint.

Here is my first piece, watercolor and pocket pad 4×4 inches. I was pleased with the results.

Quick sketch,new to me paper

MF

Well, still have not been able to take photos to serve as raw fuel for my Cinefield® work. Ironically, I have managed to do my fine art photo work, but that’s a different animal.

I am fortunate though, I have enough other mediums to work in as to stay out of trouble. I have been doing paintings, switching styles of paper. The loose knit theme behind the pieces is the portrayal of flesh.

This piece is white * French Cotton paper 5×7 inches.

  • * I had a buddy in Paris who worked at one of my favorite art stores. I am lucky that right around my place are many, each one has different purpose for me: “my pencil place” et al. We would chat & he would give me employ discount, sometimes even more than that. I would load up on equipment.
  • I was reorganizing one of the tabouret in my studio. This block of white cotton paper he gave me had been hidden under yellow legal pad on which I had written an idea for a sculpture.
  • I realized that it had been many, many years ago he had thrown a bunch of landscape sketchpads into a backpack and pursued a boho girl to Ibiza. A few postcards and then even people he had worked with for years stopped hearing from him. I don’t know if he ever got the girl but I still haven’t used up all the stuff he gave me.

Dear Diary

With everyone having phones now the ability to capture amazing scenes is always just a pocket away. When something is too easy though, it starts to loose power. Phone-cams went from being at the ready in case something fantastically dramatic should occur to being merely the facilitator of the mostly mundane minutia of people’s live being on a non-stop social media scroll.

One of the biggest and most far reaching negatives of this is how it effects people being in the stream of life. I travel, often. An overly familiar sight now is people rushing around a famous museum or well known area (Luxembourg Garden et al) stopping to raise their phone slightly above themselves while duck billing, snap a pic, then rushing off. Their justification is that they are capturing memories. So preoccupied are they in getting the perfect pics to post that they are not in the moment, not in the stream of life.

Once back home they can show you them standing by some landmark, some great work of art but there can be no description which makes you feel as if there. Even for them, this is the case and they had actually been there.

The adage that travel broadens the mind is not merely about ticking off things on a list of what to see, where to go. It is absorbing a place with all its ambient characteristics which hopefully in some way add to you long after the trip is over.

I am not anti-photo, I take some myself wherever I am. But see and capture with your eyes first. I always have a 3×5 pad in my pocket. I will do small sketches when on the road and take notes. Not always dramatic, sometimes it’s just a room service tray with the leftover bones of a hastily eaten meal or my book bag hanging off the back of a chair.

Not everyone can draw, but you should still keep a little pad on you. Use it to take notes. In doing this you will actually be more present in the moment if you slow your roll and take a beat to describe what you are seeing. As you are doing this just for yourself, even if you can’t draw, why not try anyways?

That is another negative of social media, everything seems to be motivated now towards getting views/likes. The recently departed Paul Auster said “Do a thing simply for the beauty of doing it.” To live this way, you may not garner as many likes etc but you will create true memories.

CINEFIELD® Carousing

Often when you read a biography on artists, in any medium, I have noticed a commonality. There seems to be a career sweet spot. This is when they have established their voice, have an audience and can comfortably exist while serving the process. They are not necessarily as big as they will become.

What makes this the sweet spot is the ability to still 100% follow one’s own North Star. No consideration is given towards audience nor critic expectations. New directions can be taken, old ones dropped.

The tragedy of all of this is that this phase is often recognized by the artist only well after the fact.

I am lucky to recognize that I am in the sweet spot. With no forced upon restrictions nor expectations, I experiment. Even when it is a direction I decide not to go in, this freedom fosters evolution.

My last Cinefield®, I wanted to make more rhythmic than previous ones. With this one, I wanted a greater density. I went with a more limited color palette as to make it more noticeable. I tried several new things with this piece which will now just be part of my regular process.

With all my Cinefield® works, I only use photos which I personally took. Another different thing for this one, I only used two photos (in general with these works I don’t use too many, but this is even less). The piece is 11×17 inches. No digital magic just scissors and adhesive applied with a tiny brush.

Errata: copyright. People, especially with visual work, prominently display copyright notices. Definitely copyright your work, before you post it anywhere, before you submit it anywhere. However, the watermarks and notices are a distraction and according to many gallerists and editors I have spoken with, the mark of an amateur. To have the notice on edge of paper, it can be clipped off. To have giant watermark, your are wrecking effect of your piece.

Some might complain that to copyright everything one puts out can be cost prohibitive. With drawings, things where an artists hand is so blatantly present, it is not necessary. As for the rest, it actually makes an artist assess their work better. No one hits a bullseye each and every time. If you are considering copyrighting a work w/its accompanying fee, you have to be more honest with yourself.

Copyright is not a forcefield which will prevent people from lifting an image you created. It gives you a quick recourse to take back what is yours. Generation Instagram feels that if it is online and they like it, it’s a victimless crime to use it as content. Copyright allows you to get it back quicker or really drop the hammer should someone actually be monetizing one of your creations.

You’re Funny: Notes found jotted within pages of my pocket sketch pad.

Many bars in Paris still do not have televisions blaring from every free bit of wall space, luckily. I found myself, briefly in one of the few which did. Ironically, I was not even in the mood for a drink but to use the restroom. My personal sense of etiquette though, I ordered a drink.

The man on the stool next to me asked me about my accent.

“Sud Africain?”

“No.”

“Americaine?”

“Oui.”

With a thumb he points at the television, the thumb being chosen as it was a second class citizen to the index finger and all such displayed vulgarity was worth.

“What’s television like stateside?”

“We have one channel that shows twelve hours a day of either Seinfeld or Friends, NCIS and Law and Order are always on at least two channels in six hour blocks and most channels, when they have time to fill will throw up either one of the fast & Furious movies or Avengers Endgame.”

He could not picture what I was saying and only half understood. Part of him suspected I was having fun at his expense while another part thought perhaps I had devolved into some form of gibberish. He insisted on buying me a drink as to get me to lapse back into the silence of strangers, while in the background a dubbed in French episode of the Mentalist came on. With a weary smile, the bartender pushed a small bowl of stale pretzels towards us as he went searching for either the bottle or remote.

//

Jim Morrison wanted to give up the rock star thing and become a full time author/poet. Many people pointed to his lyrics, citing those as evidence that he was pretty much already a poet. Jim Morrison is like Baudelaire or , as he was rebellious and died young, Rimbaud. Jim Morrison is like Rimbaud, unless you have read Rimbaud.

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Even in North America, if one lives in the heart of a major city, eventually many strangers will see your private moments. Padding across a room naked, scratching or one of a million other things we all do. What separates us from beasts (usually, but slowly devolving to a 50-50 split) is the knowledge not to do these things in public.

You can have a bathrobe at the ready etc, reminding yourself every time you get up, who knows how many eyes are watching. Eventually though, all city dwellers become desensitized.

Paris is special in that even the smaller, cheaper apartments have the French windows or if not in this style, oddly shaped or strangely positioned. The way the buildings are piled up, at night I have many tiny illuminated in old- halogen- gold stage sets. You see people going about their lives, the erotic, the mundane, sometimes the poetic.

Like the time I watched a man building a model boat. He was skinny, bespeckled with sockless chuck Taylor sneakers, never a shirt and always some kind of sweat pants. No matter what music I put on, that season was mainly Chopin, it seemed to perfectly sync up with the scene he was acting out. Once the tiny ship was built, I never again saw his square of light against the dark silhouette of the building.

Being a demi Parisian, I know that I have had my time in being on the menu for the night’s programming. There he is, in bed pen dancing pirouettes upon the paper, book in hand he never falls asleep reading but snaps light off at proper end of chapter. Two corners of the bedsheets in hand, he is snapping them in the air with the flourish of a bullfighter before allowing them to float back down upon the mattress.

An interesting thing, during the day, it’s hard to tell what windows you had seen into at night.

I have always said that you can tell how great a city is by its relationship with cats. The best cities have plenty of cats to be seen in windows and walking along the streets.

My studio, when seated at my table a window two floors below mine and across is a fat cat I’ve named Porthos for his girth. Should I ever meet the owners and they introduce me, giving a different name, I will tell them that they are wrong.

One day as I was getting ready go to work, Porthos wasn’t in his usual spot but peripherally my eyes saw movement from a different apartments’.

There were two little kids in pajamas playing. I am horrible at knowing how old children are, a boy and girl maybe eight-ish. I thought it odd they weren’t dressed yet. Maybe they were tourists having arrived from far away, their internal clocks had not yet normalized.

Over the next few weeks, whenever I happen to glance by that window, the two kids still in pajamas, playing. It was weird because Paris has so many parks. You actually see children with their peers, with their parents, playing ping ping, chess and the Luxembourg Gardens has a large center fountain where you can rent a tiny toy sailboat by the hour. Yet this pair always seemed to be in that room.

After three weeks there was one change, a large tipi, but it was made of plastic, sort of Fisher Price(y). It gave them an unsettling Thirteen Ghosts aesthetic.

Once the sun went down that window never lit up and now I am pretty sure those two kids are ghosts.

(all pics by me)

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One of the things I have always treasure about Paris is how much great art is to be had just walking in the parks. There are some beautiful Giacometti’s, works by not as well know artist but beautiful none the less. Ages ago I used to go on Sundays to the Cantor Center at Stanford. They had a giant de kooning bronze. Rare because he did not really do too much sculpture, especially at that size.

Right as I found myself really getting into his work, the sculpture was gone. It ended up in the Jardin Tuileries across from one my favorite Parisian bookstores.

Art aside, the parks are a treat. Delacroix, even when older and famous would regularly still go the the Jardin des Plantes to sketch. The Luxembourg Gardens is large and has many paths laid out with different feels to them. Found among all these paths and trails are all types of statues, flowers, flowerbeds and plaques.

Many of my friends are in the service industry, restauranters or bartenders. General consensus is that the two worst nations exporting tourists are the English and then Americans. England should not feel too bad though ,as most of the worst America has to offer proudly have no passports.

Any place in which Spanish is spoken, the English merely add an “O” to the word and say it several times louder as if this were a spell transmogrifying it into Spanish. For French they add a “Le” and roll their tongue a bit like Johnny rotten at the mic in a huff.

I was walking the ‘Luxe. There is a moving, large statue in remembrance of the holocaust with, in case one couldn’t figure out what was going on, a plaque at its base.

I watched a group of American girls in athleisure wear, with central pony tails clamber to the base of the statue, all turn semi sideways to face camera, in what many articles have said is ideal positioning, while making phony gang signs and letting mixed drink coated tongues stick from the corners of their mouths until the snap of the camera.

This is a direct effect of what we get when we try to get rid of unpleasant things from history books. This is how people act when there is zero empathy because they do not know from anything other than what has directly impacted their lives.

FINI

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