Marlina

I got some new paper to try for both my lyra pieces and watercolors. While the results with the Lyra were good, I much prefer my usual paper for the medium. I then decided to try doing a watercolor piece with it. And while I am very pleased with the results, with this too I prefer my usual paper. For both mediums though, the results were good enough that I will use up the pad, switching off between it and my preferred paper.

One of my great pleasures in life is portraying flesh in paint. I never tire of making volume and mass appear on what started off as a flat white square.

This piece is 7×10 “Marlina”

addendum: Deracine Magazine has new summer issue out, It has one of my early-proto “In the Eights”. The magazine has a clean minimalist design and is worth checking out

https://deracinemagazine.com/

Lipstick

After all the time spent on my last CINEFIELDĀ®, it felt great to get back to painting. I feel all the mediums in which I create are of equal value even though some of my audience only knows me through one of them.

“Lipstick” 9×12 Watercolor on paper

Birthday

I have noticed lately that there are a lot of museum shows & installations “walk through a van Gough painting” type of things using projections and other tech. I am sure this will attract revenue. For anything which is lazy, bad or dare I say plebeian, there are intelligent people out there ready to supply articulation as to justify it. The gimmick as (art) museum show; “This will attract those who don’t usually go to museums.” It is not so much bringing culture to those who normally would not bother but rather a transmutation of it into something akin to the latest block buster movie.

The problem with this is that it makes the artist/work besides the point. It is spectacle as focus and not artist work/intent. The deeper problems with this, as it is many people can not stand in line to get their coffee without keeping their head bent down in their phones as to be blasted by digi-sensations as to distract them from their five minute wait. A Picasso-laser show type thing is further contributing to a complete lack of the public’s ability to “merely” stand and look at a work of art. All art regardless of era and medium has a component of contemplation to it. We are perhaps a few years away from people going to one of the great museums of the world, standing in front of an immortal piece; a Renoir, a Velazquez et al impatiently waiting for the razzle-dazzle to begin.

When reading about art, depending upon where you live, there is a lack of the ability to go out and actually see the painting or works by a specific artist. The internet is good to look something up and get the gist of it, but it can not compete with the real thing. There is a difference. Looking at works mainly online, going to mutli media mutations of an artist’s work have changed what looks “right” or “good” to a modern art audience. They do not want to see brush strokes or other evidence of an artist’s hands which are a part of their voice. A smooth machine like perfection as encountered online, on postcards is what is now preferred.

One could imagine Soutine talking to a gallery owner or museum director and being told “Don’t worry, we will smooth down the rough edges digitally…”

You can’t fight progress nor the populist bent but merely offer an alternative for this willing to explore. The ability to portray flesh in all its beautiful imperfections is something I will never tire of.

“Birthday” watercolor on tan paper 11×14

Pillow

It had been rainy/overcast for what feels like forever. I worked at my painting in stops & starts. Sol finally obliged me and I finished. I was pleased with the results.

Pillow Watercolor & Paper 9×12