Tag: #OriginalContent

2025 Fare Thee Well

Finished my latest painting “Hat”. It is a 5×7 on French Cotton paper. I tried a few new things with this one, portraying the skin in a slightly different manner than I normally do.

There is a sort of “game” on social media where one says “I will die on this hill” and it’s something small (that is the bit) but which one feels strongly about, or that drives one crazy when done a different way.

It is supposed to be whimsical but it is one of many ingredients in the current unpleasant gumbo North America finds itself mired in. While reading of the different little things people have such strong opinions on can be funny, it has also become a sort of behavioral template, a permission to rage and scream. Not everything needs to become a culture war issue nor devolve into people you do not know swearing at you or just injecting negativity into a post.

A modest proposal: Let us make 2026 a better year, even for the jerks, since to paraphrase Marcus Aurelias they are always going to be around regardless.

It is very easy to do, suck the air out of all the negative conversations & postings on places such as Twitter. You are not going to change anyone’s mind, nor are you going to prove them wrong since it shan’t be acknowledge by them. Even a person 100% in the right, yelling at someone in the wrong is only contributing to the din.

Strongly do i believe at least half the trolls if not engaged will sort of drop away. Also there is definitely a good percentage of politicians and in general creeps who do and say horrible things and when citizens and the news discuss it while showing clips of what they said, their tweets and posts et al it only keeps the things alive while also spreading its visibility.

When the Nazis were on the verge of occupying Paris, many different people wanted to get Matisse out and to a country where he would be safe. He refused to go. His view was that if he and others like him left then what were people fighting for? What would France then be without its culture?

Culture is important, it reminds one that there are things bigger and greater than the “I”. It links us all together. Even though it is comprised of different things for each of us, we all dream, love and hope. Culture is the thing in which we put all these emotions and from which we also take inspiration.

History is littered with terrible moments and culture endures during, often it shines after. Now more than ever before it is easy for one to explore new music, art and literature via online. Do not write off an unfamiliar thing as “Not my thing” without giving it a try. This is a freedom which can lead to something that adds to you, who you are what you are about.

Don’t bother telling a fool they are acting foolish, don’t let a troll make your blood pressure rise, instead use the time to check out some new things. Like Matisse, I will stay here, brush in hand.

Happy & Healthy New years to all

Photos by me emblematic of my ’25

2025:

by Wayne Wolfson

Frisky Koi

I am deep into working on my novella. I have been painting and drawing only as I can not split my concentration to the degree that my Cinefield® requires.

Excitingly, in a little under a week I will find myself on the road again for a short trip to collect raw materials (photos) for my next Cinefield® work.

Here are recently done drawings. They are all executed quickly. A methodology I heard about via a book on Matisse which has served me well:

Do drawings as fast but accurately as possible. If one can capture the essence of a thing or spirit of a person via quick execution, then it becomes easier when going slowly drawing/painting.

On a personal level I also have learned to work fast as I never want to be lumped in with the “writers” and “artists” one sees in Starbucks et al, where it is more a performative thing than actually doing work. Yes, yes we see you, you are writing. Ok settle down Tarantino….

Most of my drawing and Lyra pieces are done in Talen Art Creations Multi Media pocket Pad 4×4 inches

Wishing all a Happy Holidays!

by Wayne Wolfson

Menagerie

Drawing is the basis of art. A bad painter can’t draw, but one who draws well can always paint. Arshile Gorky

Drawing is the intellectual basis for painting. Matisse

As I continue to work on my novella & paint, i also draw daily. This always gives me great joy. It need not be a work others will see nor even one i will keep. A pencil nubbin on a scrap of paper, serving the process in this humble way excites me as much as one of my serious framed works.

I have a mission in what I want to do, convey emotions so that the viewer comes away feeling something. However, there are not specific parameters of what I will draw/paint to meet this goal.

I prefer the real, which to me is always beautiful, over the conventional notion of beauty. I am fortunate to have a stable of people who model for me, trusting me so that what I get is not the studied, academic poses but rather the more real.

Mostly I used Talen Art Creations Multi Media pocket Pad 4×4 inches This is a mix of pencil pieces and water soluble graphite.

by Wayne Wolfson

The Mark & Gerd

As I am in the middle of writing my next novella, sometimes I day dream which is an articulation of extraneous ideas that I will not use as to be able to concentrate better.

I day dream as I clean my studio. There’s a vague idea that I have had of an artist who has all the equipment he needs to do his thing and in variety. In his mind’s eye, this makes him “rich” as he let’s slip at a bar (This leads to trouble).

When I first started doing visual work, I used the pages of the newspaper (for the youngsters: this was like a twitter news feed but accurate and truthful, made from thin slices of a tree, which showed up on your doorstep every morning) I used black and red markers as to be able to see my drawings.

I then graduated to blocks of cheap paper filling every page on both sides.

Slowly, I worked my way towards legitimizing the need of good equipment. Initially, i was thrifty out of necessity, i.e using pencil extenders as to squeeze every drop out of a pencil.

Fast forward, I can now afford whatever I want for equipment, i can buy things merely to experiment with etc. I still use pencil extenders and observe other economical practices, not because I have to or even because I am cheap. It is a sign of deep affection for serving the process.

When working on a painting, the amount of paint which I use at most only takes up two ten slotted porcelain palettes. Not much but I often find myself when a painting is completed with a little bit paint remaining.

I started the practice of doing a smaller painting with remaining paints in my trusty Talen Art Creations Multi Media pocket Pad 4×4 inches. Nothing is wasted and it often presents some manner of stimulating challenge for me. It’s my version of what great chefs like Paul Bocuse did in their every part of the animal philosophy.

The Mark Watercolor & Rembrandt 9×12 cold pressed fin paper

Gerd Talen Art Creations Multi Media pocket Pad 4×4 inches

by Wayne Wolfson

Ma Joie

Still deep into working on my latest Cinefield®. Locked into a groove, my studio has been overrun by sheets of paper upon which rests tiny confetti like pieces of paper.

In the interim, I continue to draw every night. I have mainly been using my trusty Talen Art Creations Multi Media pocket Pad 4×4 inches while also finishing the other pads in varying states of completion I have on my desk.

Here are some of what I have been doing, the joy for me serving the process even if only with a pencil nubbin on a scrap piece of paper:

In case you missed it I got a nice showcase which goes into my modus operandi:

GUEST ARTIST: “Truth Is Beauty” by Wayne Wolfson
by Wayne Wolfson

Song About a Girl #957

Just back from a trip where I was able to take photos to serve as fuel for my next Cinefield®. I lucked out and was able to get so much raw material it will allow me to do two which will lead me right up until next spring ( I won’t work on them back to back, taking a well needed break between which accounts for some of time frame)

While working on my Cinefield®, of course I will still draw every day and do my water soluble graphite work in pocket pads but this will be last painting for a while as my studio will become dominated by tiny confetti like pieces of paper laid out on sheets.

For this piece I wanted to try something a little different. I made the flesh appear without the volume and mass letting the lines tell that story of the body. I was very pleased with the results and enjoyed the challenge of going against my usual preference. That is one way for an artist to avoid falling back on pet-licks for a piece.

9×12 Rembrandt cold pressed paper 140lb

by Wayne Wolfson

Annabeth / Croc Clip

Just in time to once again hit the road, I have now integrated the new paints which I had been trying out permanently into my studio & travel palettes.

Of course I have note added all of them but that is just matter of color preferences in what I use for my work. I have found that once a thing, be it whisky, paint et al is of a certain quality it is not a matter of which is better but more personal preference.

Certain brand’s colors are better for specific things than others i.e one brand’s red or pink better for base coats in showing skin while another better for showing bruises, capillaries et al.

Now that I know the new paints, i have started experimenting with them on all different types of paper.

Annabeth first time using tan paper w/my new set up. Strathmore Toned Tan Mixed Media Paper 11×14 184 lbs

Croc Clip Talen Art Creations Multi Media pocket Pad 4×4 inches

If interested in what comprises my new paints see previous four posts which give details

by Wayne Wolfson

Cakettes ’25

It is a little early this year as I am going to be on the road, this year’s Cakettes Cake. As is always the case, musically inspired.

Some info about this year’s cake:

11×11 inches

No Portion of the cake was made with pre fabricated components. 

For instance – homemade raspberry fruit leather hand cut for brick & letters.

Cake: Vanilla thyme sponge, raspberry filling with Drambuie Italian Buttercrem

Quasi: Honeycomb candy with raspberry fruit leather and chocolate accents. 

Last year’s cake & multi-year retrospective:

Cakettes
The Caketts: a retrospective

I forgo candles because I would not want someone blowing on piece cake I was going to eat!

by Wayne Wolfson