Why So Cereal

“You made me beautiful” she said upon seeing the finished piece.

It was, but I just painted what I saw. With all my portraiture I go for a sort of raw reportage. If I see it, it appears in the piece. I never airbrush out (so to speak) any imperfections nor do i exaggerate any by way of settling scores. To me, all truth is beauty.

I always want people to be able to return to a piece and see new things. This is why traditional beauty has always bored me. The little quirks and imperfections make it real, make it interesting. The organics of a piece is often helped by only using people I know as subject matter. The trust allows for natural body language and facial expressions. There are some great yet unknown painters out there whose work’s power is diminished by coming across as overly academic or all the cheesy glam poses. I don’t worry about the beauty aspect, but rather the realness.

This piece is 11×14 inches. Watercolor on brown paper.