For Trummy

I have just finished my most labor intensive collage. Interestingly, it was far from the largest that I have ever done. I set aside my often used aesthetic of creating the feel of an open ended narrative for something that is just beautiful. I worked no digital magic on the piece, utilizing old school method of scissors and adhesive applied with a brush to photos which I personally took.

I was very pleased with the results of this piece and feel with every new work I learn something. My new camera was used for the photo which definitely helps to convey more of the intricacies of my works.

“For Trummy” (if we ever see each other again, I will look different, you will look the same) 11×14

 

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First Her Tears were Purple, Then Blue

I finally had to bite the bullet and get a real camera to photograph my work. This coincides with a greater complexity in my collages. Gone now will be the caveat accompanying images of my work;

“I just used my phone to take the photo, it gives one the gist of the work but not all the dynamics.”

Being a complete luddite, it’s going to take a little bit to become proficient with my camera. The timing of getting it worked out perfectly though as I just completed my most complex work. Ideal thing with which to try out new camera.

As is always the case, the components of the piece are from photos which I personally took. I work no digital magic on the piece, utilizing old school method of scissors & adhesive applied with brush.

I try to alternate between doing my painting and collage. The idea for this one came to me during dinner (the original sketch on back of grocery list pad). I decided to change up my rhythm and do another collage before a painting. Going forward, it will be interesting to see what added vibrancy will be added to my collage as I will be using a far superior camera to photograph my source material.

“First Her Tears Were Purple, Then Blue” 11×17

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OLYMPUS DIGITAL CAMERA

You Know It’s True

I have greatly enjoyed upping my game with collage, refining my process. As is true with all my work, I do not want to be reduced down to  the “..” guy. (i.e landscapes/nudes et al). With collage, when you find something that works, it is very tempting & easy to slip in what would be for a musician, pet-licks.

I would like to think all my works have an open ended narrative feel to them. For this piece, I wanted to try to maintain that feeling but with less easily identifiable components making up the piece.  The color palette would once again be restricted but darker than what I have been using. As usual, I work no digital magic, only my trusty scissors and adhesive applied with brush to images which I personally took. The black atop I hand painted on, this being the first time I have tried painting combined with collage.

“You Know It’s True” 11×17

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This Little Piggy

I greatly enjoyed creating my last collage “To the Sea”. I decided to further explore the use of a limited color palette.This piece is a companion piece to my last one in wanting to go by the same “rules”. (limited color palette, utilizing my two main techniques within one piece to equal degrees, smaller sized paper)

As usual I only used photos which I took, my trusty scissors and adhesive applied with a brush. The sort of Maxfield Parish coloring comes from the times of day that I took the photos, all Pre-Raphaelite luminescence playing upon the neighborhood but for a few minutes at a time.

For all my work regardless of medium I prefer a certain amount of density. Especially with my collages, I like the effect of the viewer being able to find new little things with each viewing. An open ended narrative which leads to one’s own personal daydreams.

“This Little Piggy” 11×14

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We All Need Beauty (Now)

The news stateside continues to be bleak. Now more than ever we need beauty. Brief glimpses from afar to remind ourselves that the best versions of each of us are waiting to be birthed, that there is something more important beyond the “I” .  Beauty need not be a rarefied thing either, it can be an abandoned spiderweb in the corner of a window or even something more mundane or not traditionally considered so. Beauty can touch us all in collective way, resonating differently for each individual.

To continue evolving as an artist during this I continuously challenge myself. I ordered all kinds of paper which I had never worked with before for both drawing & painting. I have never painted on colored paper. First new thing was to try a 6×8 tan paper which is on a block.

It handled very differently, I had to let it really dry between layers which was all right. The blending was also very different from my other paper. The end result I was very happy with. The volume & mass of skin looks a little more expressionistic than how I portray it with other paper, this is not better nor worse, just different. I will definitely continue  with this paper. I have tan, grey and brown papers in all different sizes to further explore with too.

“Write This Down” 6×8 watercolor & paper

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To The Sea

For this collage I set myself several challenges. I wanted to do a smaller piece with a limited color palette. Also reduced was the number of things/objects (in this case just two, the spheres and sea).

There is a different technique which I have used as an accent occasionally on some of my other pieces which is closer to a mosaic. I decided to do the entire piece in this manner.

One of the things I treasure about doing mosaics is that I get if not the entire thing then an idea in my head of what I want to do. Then i do a layout on similar sized piece of paper next to the one the components will be glued on to. Inevitably things need to be tweaked to improve tension & flow. New ideas come to me as I construct too. It is these spur of the moment improvisations which make my collage like jazz and puts them between my paintings which are completely thought out ahead of time and my sculptures which are 90% improvisation.

I never work any digital magic. My trusty scissors & adhesive applied with a brush to photos which I personally took.

To The Sea 11×14

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