Over the course of the past year have adopted the rhythm of doing a Cinefield® then a painting (while maintaining steady flow of nightly drawings & 8’s). At the start of a painting it rained for days off and on. I put it aside, the novelty of doing so being in itself of value for my creative process.
I started a new Cinefield® , the creation of which I do not need sunlight for.
Even though the shapes are lush and abstract, I wanted to see if I could achieve an open ended, open to interpretation sense of narrative.
“Bing-Bong” The piece is 11×14. As always all the images are from photos I personally took. There is no digital magic just my trusty scissors and adhesive applied by brush.
To anyone that reads my blog, it is immediately apparent that I take what I do very seriously. I am writing from the point of view of someone who is a professional working artist, so some of my advice or point of view will not apply to the hobbyist or anyone who has a “regular” job to earn their daily bread.
Numbers on social media & blogs still seem of the utmost importance. Whether intentionally sneaky or not, many people hunt for images, taking without attribution anything that strikes their fancy. You can copyright your image and if it is taken you have recourse. With concept or ideas however, it’s a different problem. If you have a concept that you work to articulate and brand and someone comes along with ten times the followers or who spends half their day online working their sites, it oddly becomes theirs. Unless you have taken the proper precautions.
I have gotten really into my collage and every time I do one i have learned a bit more. I feel with life in general, one must every now and then have an inner dialogue, even about established things that they know, as further articulation can provide more depth and layers to the thing(s). This week marks a year that I have been doing collages. (not my sole output as there has been a novel, short story collection, essays, paintings and countless drawings). While I still like my early ones, I recognize that they have gotten better and better.
One of the reasons this occurred is that I was constantly refining my methodology and philosophy while honing my skill. It may not be necessary for every artist but I came up with a description & mission statement for my collages. I created a word Cinefield® which is now a legally registered trademark.
Cinefield® “Flat, two-dimensional visual works of art on paper which create the feeling of movie like narratives through a composition of image rich and story like printed pictures”
I did this to show my seriousness in the medium but also the great affection which I have for it too. This is my second piece under this newly minted label. As usual, there is no digital magic. I used my trusty scissors on photos which I personally took, applying adhesive with a brush. The piece is 11×14.
During the pandemic I have made constructive use of my time about 90% of the time. Of course now and then I need a break from working & thinking. I’ve tried watching some of the genre shows people talk about. The shows which take place post-apocalyptic, the writing at best is “I wonder what is going to happen next?” Missing from all of these type shows is a largely untouched upon important component.
Of course in middle of a zombie outbreak first consideration is escape, safety. Shelter, food and ability to defend oneself are the primary concerns understandably. Some of these shows have been on for years and they do not really show the toll which would be taken on humanity collectively with the loss of culture. Making things (of beauty) just for the sake of doing so or if one does not have those skills, then viewing them. Life without culture as non-stop collecting or searching for the basic essentials would see a profound rewiring of mankind’s way of acting and thinking. After “X” amount of time, would it even be worth sticking around?
This mental fast food made me reflect on our current situation. I do not think it the duty of artists to put specific messages, rhetoric or agenda in their works. I do however think that, especially in in trying times, it is every artists’ duty to do their thing, create something beautiful.
It serves as a reminder of the better part of humanity awaiting us all when the trouble is over. It unites us all in reminding us there are things which are not unpleasant that link us all all together. One can not avoid bad times, we are all trapped by history. As artists we can put beauty out there, a page saver for when our thoughts and actions can once again look past merely surviving.
Offered up beauty. As usual all the images are from photos I personally took. No digital magic was used, just scissors and adhesive applied with brush.
I like alternating my collages between the ones which offer the feeling of an open ended narrative and those whose goal is merely to convey a sense of lush beauty.
A key component in the creative process for me with the collages is that it feels fresh for me, otherwise it would be mere mannerism.
I seek to constantly evolve as a way to maintain my own sense of excitement. One way I do this is going outside my established methodology/mission/philosophy. As a new challenge I decided to make a piece which was beautiful but also programmatic. A work with program but which could be enjoyed by the viewer even if they were unaware of program. I have never been a fan of work that seems “blah” until you find out what’s behind it(program/meaning) and then this new gained knowledge makes one nod their head with comprehension as “Ohhh” is uttered.
This piece is 11×14. All the images are photos which I personally took. There is no digital magic worked, as always utilized my trusty scissors and adhesive applied with a brush.
Side note: I received so much positive feedback about my “In the Eights” series I decided to publicly continue it. Temporarily, I am seeking models for the series, send me an email (not through word press) for details.