Voyages

For artists in any medium an online presence is now necessary regardless of how one’s methodology used to be. Connected to this online life for amateurs (even if they are not aware of being so) is the myth of the numbers game with its implied short cut to money and visibility/site numbers.

The basic premise, which has a myriad of variations depending upon who is explaining it, can be parred down to a basic concept of the greater amount of times one puts out there a work they have for sale or perhaps an appearance/show, then the better chance there is of achieving satisfying sales/head count. The true believers explain it thus:

“If you have one hundred thousand views of your post and only five percent of people buy your thing, well that still works out to be…”

Aside from the fact I think machine gun firing (this is making constant mention everywhere) what one has to offer out onto the net is uncouth, it also is naively optimistic. It’s one thing to look at a posting, it’s another to purchase something. Regardless of how inexpensive it is, most people follow at least a few hundred people and it can easily add up fast.

All that aside, I personally want an audience, not customers and this is the great disconnect often now occurring between artist and public. I dont want to hustle for sales etc. If I were going to do that, then I would just have a straight job where sales would equate to large commissions and expense lunches.

It’s all right to mention something available to the public when pertinent. As an artist you hope your work gets seen. Anyone who reads my blogs knows that I rarely make mention of for sale things except for when they are brand new.

I am proud to say that my latest collection has just came out. It’s available now for kindle & Paperback on amazon.

Paris Painter 4 : Like Sonny

Lyra water soluble graphite sticks have become one of my favorite mediums. That with a brush and pocket pad and i can do painterly pieces even when sitting at a cafe table. And I need not sprawl out taking over the table. I am also able to maintain discretion as I would hate to be like one of those people stateside who feel it necessary to go to Starbucks to show everyone that they are “writing”.

Aside from fully realized works, i continue to woodshed, hands, feet, whatever is in front of me. It is akin to a musician practicing scales. Both Renoir and Matisse when in the twilight of their years said something along the lines of it being a shame that they did not have a few more years left as they both felt that they were finally starting to get it. Coltrane before and after a concert or recording session would still put in time practicing. This has been my overall approach too. Regardless of how my day is spent, an hour or two at night woodshedding.

I do not go for the outwardly dramatic thing in my sketching. I let the organic truth of whatever the thing is create the emotion. A sort of raw reportage without any preconceived agenda. All pieces are either 3×5 pocket pad or 4×4 pocket pad. My 3×5 pad has circled the globe with me more ties than I can count and is always besides my bed or in my pocket during the day no matter where I am in the world.

How it began

Selfie

Kini in Cap

The End: selfie freaked out & tired @ Heathrow

Paint It Britain

I was very pleased that for January 26 my painting “(Self Portrait) Black Eye” was chosen by Paint It Britain as their painting of the day. It is 5.5×8.5 Watercolor & Paper.

 

paintingoftheday#paintBritian.BlackEye.W.Wolfson