Dear Diary

I am in the middle of working on another Cinefield®. This means that painting temporarily takes a backseat. Like many of my musical heroes, I will still woodshed every night. My version of playing scales, sketching hands, eyes et al.

Drawing is not a second class citizen for me. It is very much a part of my “I”. While it does help with my compositional eye in photography and sense of rhythm with my painting and Cinefields®, I view drawing as a separate and equally important medium in itself.

Both Matisse and Renoir had said something along the lines of an artist should take time every day specifically to sketch things very quickly. In working fast, eventually one is able to capture the essence of a thing with a minimal of lines. Once you can do that, then when you slow down for a painting or longer worked on drawing, then it is easier to bring out the essence of the thing.

Here are some recent quick pieces:

Lyra Piece 5×7

Quick sketch & text by Me

Elliot Gould. If you haven’t seen it, highly recommend the movie “The Long Goodbye”

Quick sketch of Iggy

Iggy

I have been experimenting recently with doing larger pieces. I have decided to incorporate this practice into my drawings too, occasionally. To my eye there is a difference between a work that was envisioned large and a work where the artist managed to enlarge it as to fit the canvas/paper size while keeping the proper proportions. How I see a work in my mind’s eye first always dictates the size as to maintain an organic feel.

This piece was 11×14

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