Selfie @ Airport

In-between bouts of atmospheric river storms I was able to hit the road. Although not with the same ferocity as at home, the rain followed me. This was OK as it was a short trip and I had already envisioned only having time to do my nightly woodshedding sketches and maybe a lyra piece or two.

I was to be flying home into yet another storm! My flight was delayed most of the afternoon. I sat at the terminal becoming newly crowned crossword king.

While sending out texts to everyone to let them know that I was delayed but all right, I snapped a quick selfie.

Lately a lot of my painting have been on tan paper and 11×17. This piece is white Canson paper 5×7

Lyra Pieces

I currently have a few projects going, including a unique sized CINEFIELDĀ® from paper I cut down myself. It’s taking slightly longer than expected as I am trying several new things. Even with all going on, I still draw & woodshed every night.

Lyra graphite sticks have become a favorite medium. It allows for painterly effects and a touch not dissimilar to that of watercolor. I am into all the mediums which I use, but my favorite two are drawing and painting. The Lyra pieces combine aspects of both of these mediums.

This was a small piece of multi medium paper. It’s close up of Jimi Hendrix. I enjoyed doing an unorthodox compositional balance in 3×5 inches

Twirl

I used a toned tan paper for this painting. It requires a slightly different touch as it’ heavier than my usual paper. I am grateful for the trust put in me by my models (mostly friends & acquaintances) . This allows for a relaxed attitude in posing, the mien organic and revealing a truth.

“Twirl” 11×14 toned tan 184 lb paper

Lyra

I have been unexpectedly tied up with various things. Even with a full tilt boogie schedule, I draw or woodshed every day. All the various mediums which have become synonymous with me I fell into by complete happenstance while exploring. Each of these things, no longer new to me, I miss if I got too long without doing (or should I say crave?). My next big project is a large painting. While I can’t start it yet, I get the same pay off emotionally/intellectually/spiritually doing Lyra pieces. Although monochrome, they have a painterly feel to them and the touch required in making them is similar. An additional plus is, if I can achieve the desired feel utilizing only one color, then when using my paints proper, it feels easier.

All pieces are 5×7 inches.

A Pal of mine is doing great concert for those of you in the UK. Highly recommend

In the Eights: The Beautiful Orlov sisters

This is part of an ongoing series. The genesis of the project can be found here with new installments appearing throughout my blog;

I now have two printers. One is black and white and used just for text. The other is a high-grade/hi def photo printer for my visual work.

As I went to print up the first of these 8’s I forgot to toggle the switch so that it printed on regular paper in black and white. I actually liked it and so am including it here. The other black and white image was an element of chance occurrence, I lifted the paper up and the unfastened components formed the face. It’s looser than my intentional 8’s but I still liked it.

I am always seeking models for the series as it continues to be ongoing. When I am not the one taking the photos, they are done specifically for me (as opposed to found images). There’s no digital magic just my trusty scissors and adhesive applied with brush.

this was by chance composition when all parts not glued down slid during moving paper

Paris Painter 4 : Like Sonny

Lyra water soluble graphite sticks have become one of my favorite mediums. That with a brush and pocket pad and i can do painterly pieces even when sitting at a cafe table. And I need not sprawl out taking over the table. I am also able to maintain discretion as I would hate to be like one of those people stateside who feel it necessary to go to Starbucks to show everyone that they are “writing”.

Aside from fully realized works, i continue to woodshed, hands, feet, whatever is in front of me. It is akin to a musician practicing scales. Both Renoir and Matisse when in the twilight of their years said something along the lines of it being a shame that they did not have a few more years left as they both felt that they were finally starting to get it. Coltrane before and after a concert or recording session would still put in time practicing. This has been my overall approach too. Regardless of how my day is spent, an hour or two at night woodshedding.

I do not go for the outwardly dramatic thing in my sketching. I let the organic truth of whatever the thing is create the emotion. A sort of raw reportage without any preconceived agenda. All pieces are either 3×5 pocket pad or 4×4 pocket pad. My 3×5 pad has circled the globe with me more ties than I can count and is always besides my bed or in my pocket during the day no matter where I am in the world.

How it began

Selfie

Kini in Cap

The End: selfie freaked out & tired @ Heathrow

Paris Painter 3 : Man About Town

This season, I was really able to trim down the amount of equipment I brought with me. For painting, I had my custom cut 4×4 in both standard white watercolor paper & brown multi media paper. The plan was to buy a standard block once here.

I actually enjoyed challenge working small, and people liked the weird hanging chads too. So I decided to stick with it, forgoing other paper.

With smaller paper you have less space to create tension & release. The density I prefer in my compositions also trickier to achieve.

Here is my portrayal of flesh which I never tire of doing, a night scene trying to show shadow without blatantly showing darkness of a room and detail from a favorite statue in The Luxemburg gardens. All are 4×4

The Other Side

I draw every day, no matter where I am in the world. When on the road, at the very least I will do quick guerilla sketches and woodshedding in my ever present trusty pocket pad. Of late most of my formally done works switch off between CinefieldĀ® and painting (during the execution of which I will still woodshed every night).

A new painting had been started but then it rained out every day with the forecast calling for the following week to be more of the same. I only use natural sunlight to paint by so this was not good for me. I put the painting aside and went on to start CinefieldĀ® Where the Sauce is Deluxe. Between the weather and how labor intensive that piece was the painting sat untouched for four weeks, something I had never done before.

When I went back to work on it, it felt strange initially but I quickly found my rhythm. I am very pleased with the piece. Although I always end up over the course of working on a painting having to let it dry a day between coats. As matter of personal preference, I was not a fan of having a piece left untouched for that long a duration.

The Other Side watercolor & paper 9×12 inches

Some Girls

I had many balls in the air these past few weeks including my first smaller trip outside of the city. Slowly, I worked on a painting where I tried a few new things. I am pleased with the results. The camera i had gotten during the pandemic as to be able to properly capture my work ended up being more of a nemesis than help. Despite having done all kinds of research beforehand, it was only after the fact i found out how notoriously difficult that it was to use. I sucked it up and went for a consult, the store owner was helpful, not trying merely make a sale. I ended up with a Sonny which is amazingly easy to use and feels good in my hand too. This is first painting i have used it on.

“Some Girls” 9×12 watercolor & Paper

The Other Sister

Slowly whittling down my previously on hold list of mundane but necessary things I had not been able to do while sheltering in place. I’ve managed to keep a steady if somewhat slower rhythm with my work.

This piece is 9×12 Watercolor on Paper.