I decided to work in a slightly different way with this painting. Most likely to the viewer it will just look like another of my paintings with no radical visual departure.I noticed a difference and will switch back forth between the two methods. Varied approaches are another thing which will allow me to keep things fresh. I want to create and not produce paintings.
I do not view one of my mediums as of greater importance than any other. Regardless of what I have done during the day, painting, collage et al at night I sketch. In rough estimation, I probably carry out my night time sketching 360 days a year with arriving in and returning from Europe being the only established days I don’t.
This nighttime sketching is in the parlance of musicians, termed “wood shedding”. It is the equivalent of when a musician practices scales. I am always surprised to hear some of my peers do not do this as even Coltrane continued to constantly practice.
With every collage I do, I learn something new and refine my process. Often I find that when I discover an easier way to do something, there is the feeling that it was so obvious, how had I not thought of it before?
A few nights ago the idea hit me, to wood shed with my collage too. I mulled over initial “rules” knowing that they would most likely be expanded upon as I go.
It’s very important to me that I use my own images from photos which I personally took in my collages. There is always a component of jazz like improvisation in my collages and I worried that using them to wood shed would take away some of that spontaneity and power.
As I had no intentions of showing the results of wood sheds to anyone, i would not be concerned with using images I did not photograph. The other factor of this is that with all the images I use, I do not want to have them appearing over and over again in my work (at least not without a long break in-between). Using other images will keep mine fresh for me. The other rule which immediately came to me is that they should all be small. Usually my collages are time consuming and it would not make sense to have practice work take days on end. Also working small was nice challenge. I do not have uniform size but none of these go much bigger than 3×5.
The few people who I showed these to were very enthusiastic. I must admit that I liked them too. After the first two I established an aesthetic which is beautiful but also slightly off putting. Despite the pleasure i get from even just practicing, I do not see myself putting these up to view too often, so enjoy the initial foray into establishing a new arrow in my quiver.
The sky has finally stopped looking like a martian dawn. I was able to finish the painting which had been on hold for what felt like forever. It was an odd sensation having a painting quarter of the way worked on and having put it aside due to circumstances beyond my control.
I feel fortunate that I had other mediums I could do while I waited (collage & my daily drawing). Finally was able to suss out how to use my new slr camera. I think the photos really show you depth and detail better than i had previously capture with my phone.
“Orange Cardi” 9×12 Watercolor & Multi Media Paper
All the mediums which I work in are of equal importance to me. I get as much pay off putting pencil nubbin to scrap paper as an accomplished portrait. One of my biggest joys of which I never tire is portraying flesh via paint.
I never think in terms of “beauty” in the traditional sense of the word. Western idealized beauty very quickly becomes boring (same old-same old). I would rather an emotion which is real because truth is always beautiful. It is for this reason I largely prefer to work with people in my life as there is a trust there and they feel free to let their emotions be real in front of me.
For my painting I only ever use natural sunlight. I noticed at the start of this work that where the sun is when is starting to change. It appears the summer has snuck away.
This is the face of a nurse showing the effects of wearing a mask 65 hours worth of shifts in six days. She is one of many heroes putting it on the line for strangers asking for nothing, no glory or even mention, in return.
There will be no parades, nor most likely can we ever adequately thank all who acted without hesitation to try to make a difference. In my more jaded moments, I imagine once this is over, people like her finally wearily able to take a moment to sit down as throngs of people rush past them, not even slowing down as to get to the store to buy armloads or microwave pizza pockets or to the beach to take side standing poses to post on Instagram. That’s probably at least for North America, close to the truth. The hope however is that going forward we find a better way from how we were as a society, “returning to normal” not necessarily a good thing.
I thank and salute these people regardless of how collectively they are treated after the fact.
This is watercolor on 9×12 paper. I used a brand new paper which I liked and will continue to use.
The building across the way from my *studio, I had used images of it in my last large collage. I knew to Wait for no one to be around as to not have my phone being pointed in that direction misconstrued.
When it is my painting hours I am now sometimes watched by others from their Juliet balconies. At first it was just something for them to do while getting some air, cup or coffee or smoke in hand. After first week of this i know there developed some curiosity about what I was working on.
Now, when I finish a piece I turn it towards the window so that they may from their concrete and steel nests, see it.
I am currently working on a large 22×30 painting. I must go slower as its new paper to me and the weather has been wet. So far I am pleased with the results.
During tough times I think it important anyone capable of creating beauty to do so. Not as a means of distraction but rather a reminder of what we eventually will return to once the crisis is over (beauty/culture). It is the reaffirmation that as long as the night seems, there will eventually be a dawn.
Beauty & culture also serve as a reminder during a crisis of who we are, not merely people trying to survive but a small part of a greater whole.
*I have live/work studio and am not breaking quarantine
This piece is 9×12 Watercolor & Multi Media Paper.