Tag: emotional

Almost Blue: August 9 Selfie & Blue Pullover

The ever present phones in everyone’s hand has ruined the casual museum goer’s ability to enjoy a painting. Now, a painting must look photorealistic to be “good” because everyone is used to viewing art via their phones. No one wants to see an artist’s brushstrokes or any evidence of a thing done by human hands.

Phones allow people to capture the minutia of their lives instantly. It has almost become de rigueur, even for the most informal of photos for people to do a sort of post-production tweak. Skin is smoothed, other imperfections sanded down. Just as people do not want to see evidence of an artist’s hand in a painting or drawing, photos now may only vaguely suggest one’s age. Unless it is the point of a photo (like those amazing black and white photos of aged people whose crags make them look akin to sculptures) wrinkles, imperfections et al are verboten.

One of my greatest pleasure and something I never tire of is portraying flesh with paint. I did not feel like dealing with anyone but wanted to indulge in my raison d’etre, showing the gooniness of flesh. August 9th, I am looking in the mirror about to shave. Monk’s elliptical patterns float through the half open door.

Gazing in the mirror:

“Wow, good thing I am talented.”

Almost Blue: August 9 Selfie 9×12 Rembrandt paper (this is one of my personal favorites of all my paintings)

Blue Pullover 11×17 Tan paper

by Wayne Wolfson

Two Paintings: Ro & Swinger

The temperature in my studio is once again safe to be in. I had finished the Ro piece before my brief exile while Swinger lay almost done the entire time of my banishment. I am very pleased with both pieces.

Swinger has special history. Over a decade ago the place I had lived part of the year every year in Paris for a long time had art supply stores all around it. I had a preference for specific things from each store i.e my pencil store, my paint store et al.

By happenstance I became pals with one of the guys at the sore closest to me. It’s proximity meant that i often walked by it and would pop in just to walk the isles, grabbing pencils or little notepads which I really didn’t need. We would chat.

He started letting me use his employee discount, plus coupons and samples. The very last time I saw him, I was so loaded up with supplies (lots free non-sample things) that when returning stateside I needed an extra bag for all the goodies.

He followed a proto-Coachella girl to Ibiza, then all around the hotspots for EDM festivals until he vanished in the ether.

Swingers is the very last piece of paper from all the paper swag he had given me. Obviously, I did not use it non-stop but I did use it steadily in-between all other papers I was exploring.

I would like to think that he got the girl or maybe he realized he didn’t need to get the girl, that it was about the adventure. And now, like Ulysses, he is heading towards a land where people do not put salt on their food.

RO 9×12 Rembrandt Cotton Paper

Swinger 7×9 Cotton Paper

by Wayne Wolfson

Three at the Party

As I continue to edit my novel I have been able to go back to painting. As has always been the case, I like to mix it up a little as to avoid stagnation. This is achieved by giving myself little challenges, different types and sizes of paper and in this case for the second and third painting, only using paint left in the palettes.

Myself 5×8 cold pressed watercolor paper with my normal studio paint set up

Truth or Dare I used my ever present Talen Art Creations Multi Media pocket Pad 4×4 inches

Sandy I used my ever present Talen Art Creations Multi Media pocket Pad 4×4 inches

Spontaneous pic

by Wayne Wolfson

Premium Supreme/ The Look

My trip was successful which means that I will once again get back to Cinefield® work. I did these two paintings, both of which are sort of road adventures.

Premium Supreme (selfie) was done on Rembrandt 9×12 inch cold press/fine grain paper.

The Look Talen Art Creations Multi Media pocket Pad 4×4 inches

Both used my usual studio paint set up .

With the holidays upon us might I recommend perfect gift:

by Wayne Wolfson

Frisky Koi

I am deep into working on my novella. I have been painting and drawing only as I can not split my concentration to the degree that my Cinefield® requires.

Excitingly, in a little under a week I will find myself on the road again for a short trip to collect raw materials (photos) for my next Cinefield® work.

Here are recently done drawings. They are all executed quickly. A methodology I heard about via a book on Matisse which has served me well:

Do drawings as fast but accurately as possible. If one can capture the essence of a thing or spirit of a person via quick execution, then it becomes easier when going slowly drawing/painting.

On a personal level I also have learned to work fast as I never want to be lumped in with the “writers” and “artists” one sees in Starbucks et al, where it is more a performative thing than actually doing work. Yes, yes we see you, you are writing. Ok settle down Tarantino….

Most of my drawing and Lyra pieces are done in Talen Art Creations Multi Media pocket Pad 4×4 inches

Wishing all a Happy Holidays!

by Wayne Wolfson

Menagerie

Drawing is the basis of art. A bad painter can’t draw, but one who draws well can always paint. Arshile Gorky

Drawing is the intellectual basis for painting. Matisse

As I continue to work on my novella & paint, i also draw daily. This always gives me great joy. It need not be a work others will see nor even one i will keep. A pencil nubbin on a scrap of paper, serving the process in this humble way excites me as much as one of my serious framed works.

I have a mission in what I want to do, convey emotions so that the viewer comes away feeling something. However, there are not specific parameters of what I will draw/paint to meet this goal.

I prefer the real, which to me is always beautiful, over the conventional notion of beauty. I am fortunate to have a stable of people who model for me, trusting me so that what I get is not the studied, academic poses but rather the more real.

Mostly I used Talen Art Creations Multi Media pocket Pad 4×4 inches This is a mix of pencil pieces and water soluble graphite.

by Wayne Wolfson

Yoga

The painter Phillip Guston said that when one paints, at first everyone you know is in the studio with you and one by one they drop away until you are left only with the painting. I understand that, the pleasure of serving the process, everything else is temporarily suspended, where will the painting end up etc etc.

I am in the middle of typing up all my notes & stories from Europe. The visual work that I do, it is work but it isn’t. I have been going at a steady clip with my paintings but not because of any specifically set tempo. The visual work becomes a respite from the challenges of other things. Ideally, if nothing else my work offers people a brief cessation from the doomy bleakness of the news.

My paint palettes are now exactly as I want them, incorporating professional grade half pans from several companies.

This piece is 9×12 watercolor & Rembrandt cold press/fin grain 140 lb

by Wayne Wolfson

Drawing

“Color always occupies me, but drawing preoccupies me” Delacroix

“Drawing is the basis of art. A bad painter can’t draw but one who draws well can always paint.” Arshille Gorky

I always have a pocket pad on me, usually 3×5 inches, and then a slightly larger one in my ever present book bag. When I travel, what pads and accoutrements I have depends on length of trip, location and what else I will have going on while on the road.

It took me many years of trial and error but I have my trip equipment selection process down pat. For the past month or so I have been writing about equipment given to me by Royal Talens.  My current go to pad is by them, but I had discovered it long before they had sent me anything, Talen Art Creations Multi Media pocket Pad 4×4 inches

You can read my initial impressions:

Pocket Pad

I have never looked at drawing as a second class citizen in comparison to painting. No matter if I have spent the day painting or doing some of my other visual works, I draw an hour a night, every night. This woodshedding is akin to a musician practicing scales, but also one of my greatest pleasures in life.

I initially discovered water soluble graphite by complete happenstance. Once I had the mechanics down, I was able get painterly effects. When I work on my Cinefield® pieces, I can not draw as an under construction Cinefield® piece slowly dominates the space of my studio. But, I also do not want to let too long go without painting, which I end up missing.

Water soluble graphite work is the same as painting but in all greyish black tones. I can use my witting desk and do a piece in one session. I may not be able to paint but this was very close. Unexpectedly, I found that as I added to my graphite technique it helped my painting and vice versa.

I was just on the road and while it was a short trip, I had a lot going on. With this is mind I knew I would have no opportunities to paint. I brought my water soluble kit. Another important aspects of this medium which I like it how compact it is. 2x graphite sticks, a sharpener and one watercolor travel brush. I can literally put it in a coat pocket. If at a cafe I use a mineral water cap, in hotel one of the plastic cups to be found by the gratis bottles of dasni for water to dip brush into.

Here are some latest pieces:

by Wayne Wolfson

Lin

At least until Mid-July I will not be able to take photos to use as raw material for my Cinefield® work. I continue to happily paint, enjoying myself. As I am locked into a groove, this piece too was done in my Talens Art Creation Multi Media 4×4 inches pocket pad.

Watercolor & paper 4×4 inch Pad

I had a little bit of paint left in my palette. I also had few of a different style I had bought while doing residency in Paris. These have a different style of pigment and look to them. I decided to do a loose experiment. Unfortunately, I grabbed the wrong pad of paper. I have a tabouret drawer for every style I use. Some are for different mediums but look the same unless you take a beat and read cover. I meant to use multi-medium paper which can be used with watercolors and other wet mediums.

Instead I ended up with regular tan toned sketch paper. This meant that among other handicaps I could not do my proper blending. I decided to continue on anyways. Despite it being my first time with the paints and the wrong paper for the wet medium, I was pretty pleased with result, especially for a first foray.

Quick painting 5×7 Tan toned sketch paper.

by Wayne Wolfson

Amanda

Still not sure when I am going to have a chance to take photos to use as source/fuel for my Cinefield® work. In the interim I have been enjoying painting and drawing in my trusty pocket pad. A few people had commented on noticing I had changed type of pad I use a few months ago.

Always on me now is Talens Art Creation Multi Media 4×4 inches. It stands up to blending I do when watercolor painting and same with water soluble graphite. A small thing, but which makes a big difference for the times I throw it in my bag instead of pocket is that it has an elastic which holds it closed. This means that the pages are never torn nor bent.

This piece is watercolor & multi medium paper 4×4 inches. As always, if you have interesting photo of yourself that I might be interested in drawing, drop me a line

by Wayne Wolfson