I draw every day, no matter where I am in the world. When on the road, at the very least I will do quick guerilla sketches and woodshedding in my ever present trusty pocket pad. Of late most of my formally done works switch off between Cinefield® and painting (during the execution of which I will still woodshed every night).
A new painting had been started but then it rained out every day with the forecast calling for the following week to be more of the same. I only use natural sunlight to paint by so this was not good for me. I put the painting aside and went on to start Cinefield® Where the Sauce is Deluxe. Between the weather and how labor intensive that piece was the painting sat untouched for four weeks, something I had never done before.
When I went back to work on it, it felt strange initially but I quickly found my rhythm. I am very pleased with the piece. Although I always end up over the course of working on a painting having to let it dry a day between coats. As matter of personal preference, I was not a fan of having a piece left untouched for that long a duration.
Once again, I sought to challenge myself with my Cinefield® as to avoid lapsing into mere mannerism. As with my last piece, I went with a limited color palette, in this case one reminiscent of some of the submariner greens Degas used. I also stuck to sea changing via my cutting, only one image.
I was pleased with the results. As is the case with all my work, I only use images which I personally took the photo(s) of. There is never any digital magic as I utilize the traditional method of my trusty scissors and adhesive applied with a brush.
I have specific pens, pencils etc that I use. Of course I constantly challenge myself by using lesser quality equipment, it makes using preferred stuff feel easy. As far as travel kits, i am forever tweaking that, the cases and holders all my equipment goes into. I always have three kits; the one for just bopping around the city. This is the smallest and its just a refillable pocket pad, retractable pencil and in the pocket sleeve of the pad a blender or two. This is used as I sit in cafe or bar locally, just doing quick guerilla sketching. As a side note, this is always within reach of my hand and has been around the world with me. I realized that because of the pandemic, it saw zero action for a year plus! It has sat in drawer of one of my tabourets awaiting its chance to see some action. My other kit is for short trips four days or less of being away from home. This is pocket pad, 5×8 pad few traditional pencils of different degrees of hardness and two types mechanical pencil & blenders. It’s still fairly compact, easily carried in book bag. Short trips, I do not bother bringing any painting accoutrements. My last kit is for longer trips week or more and this includes paints etc. The long trip kit is the one i tweak the most often as it’s important for me to work but very quickly space within a suitcase can be taken up.
I discovered during the pandemic a small company that made cases geared towards road warrior artists. The case was very flat and it came loaded with “free” pencils, erasers and all kinds of other sketching swag. Obviously I have not had chance try it out on road. I did try the pencils and sharpeners. All of it was of such low quality it got thrown out. It contained a small cellophane pouch inside of which was three short, pudgy graphite sticks. It reminded me almost of tailors chalk. I had never used it before, so decided try for hell of it. I enjoyed challenge of it and was actually pleased with pieces i did. My way of thinking was that if I could make something happen with low quality version, then using some made by a quality company would be even better. I started doing some research. One thing i found was that the Lyra graphite sticks were said to be basically the same thing, with benefit of being able to sharpen to a point where as the sticks were basically short rectangles.
I had bought one along with a sharpener ages ago but had not used it. I started messing around with it and found i really liked it, the pieces I did were loose and had a painterly effect. Lyra also makes water solvable ones. I bought one to try. It is a game changer for me. It fits in my pocket and all i need is that and one brush and I can do monochromatic watercolors. This will allow me to paint on short trips and not have to up the equipment i take. The actual process is quicker than my normal painting and best of all, I do not need sunlight and can actually do these at night. Two things not possible with my regular painting.
here are my first tries with it. I am sure that the more I do this, the better i will get but I am already pleased with results.
I had been working on a large project and so knew doing a full scale Cinefield® was not possible. I get equal enjoyment from my ongoing “In the Eights” series. Their benefit being that they do not take up as much studio space and so I can do them at same time as something else.
For this series within the series, I had the pleasure of Kini Rao posing for me. She fully embraced my ethos of truth is beauty and her pieces are all the more stronger for it. No digital magic is used, just my trusty scissors and adhesive applied by brush. Each one is roughly 3×5
I am always considering new models for the series. If interested send me an email.