Everyone’s face is akin to a great symphony. In constant flux, this ever changing canvas upon which we paint our feelings, secrets and ambitions never ceases to fascinate me, nor compel me to capture it. W.Wolfson
Watercolor & Paper 5.5×8.5

Everyone’s face is akin to a great symphony. In constant flux, this ever changing canvas upon which we paint our feelings, secrets and ambitions never ceases to fascinate me, nor compel me to capture it. W.Wolfson
Watercolor & Paper 5.5×8.5

Ages ago I had received a 5 MM pentel mechanical pencil whose lead sleeve retracted into the barrel. On first look, i did not like it. This was back when the aesthetics of my equipment were still a major factor in my choosing of what to use. Aside from the retractable lead sleeve, the other feature often promoted were the soft rubber bumps all over the area your fingers gripped. These were supposed to provide an anti slip aspect along with preventing your hand from getting tired as quickly. At the time I thought it further detracted aesthetically from any potential appeal the pencil might have held for me.
Once you are doing something all the time, for long stretches of time, any feature of it which can be specialized as to make the process less arduous is a must. Does the trumpeter who plays in weddings and parties on weekends as reprieve from their regular nine to five work week need a special custom mouth piece? No. Did Miles? Of course. I now spend seven days a week, hours on end with pencils in my hand. Anything I can do to lessen the negative aspects of this from the type chair I use to what pencils, I will. While I still like the look of my equipment to be pleasing, functionality is now the main consideration.
Now wherever in the world I am, I have one of my preferred pencils in my equipment case, but I also have one of the Pentel. This is because on the road i do not necessarily go out all the time with my trusty book bag, I can throw it in a pocket and not have to worry about the lead sleeve being bent, nor having it punch a hole through a pocket. An added appeal for me is that, while the pencil is by no means “hard” to use, it does not work with same intuitive ease as my preferred ones. However, getting the effects I want and doing good work with it makes using my preferred pencils feel all the more easy. I enjoy the modicum of challenge and will sometimes use this “lesser” pencil even at home in the studio just to stay limber.
For Christmas, I just received a new kind of retractable pencil made by company that makes my favorite to use. Aesthetically, it’s nicer looking than the pental. As with the Pentel, it does not operate as easily as my preferred type but I do enjoy using it. And I have already found that much like the Pentel, if I can make the magic with this pencil, then the preferred ones are even easier. The whole effect I would compare to when a runner trains with weights on their ankles, the day of the race removing the weights to run unfettered feels easier. The retraction mechanism is different from Pentel, neither better nor worse but just different. Pentel you press on the pocket clip and the sleeve retracts, with this one it is a twist and lock.
This is the second drawing I did using the new pencil. 9×12
It was worth paying for his drink if only because he tried getting a free round by telling the bartender:
“I have crossed rivers of time to find you.”
W.Wolfson’19



The shock on their faces as she broke into her famous sabre dance, then after we ate kabobs while listening to the soft laughter of the rain hitting the streets and the murmuring of a phone left off the hook.WWolfson
9×12 Watercolor & Multi Media Paper

“This, the face in the mirror” he waved his hands in a soft circle as if starting a magic trick or trying to grasp an intangible abstraction.
“Your pencil getting all this boy?” I eyed the chessboard, but my hand was busy. The pencil glides. I always did.
W.Wolfson
9×12 Quick Sketch

I started a new series 5×7 quick sketches using waitress pencil. Image & accompanying text.
#1


I like my pieces to exude the feeling that one is a voyeur into a scene. I try to not rigidly state what the viewer is seeing. Pleasure, pain, either or so long as emotion is present.
7×10 Watercolor & French Cotton Paper




Drawings done while waiting for dinner or tea. I did not have anything in mind beforehand but after the fact thought of Goya. First and foremost, the duty of every artist is to create.
Graphite & Paper 9×12




I have been experimenting with executing larger pieces. For painting I had no idea if my technique would work. Also, I had never painted watercolors on easel. I decided to have a go at it. With zero pressure of a deadline or patron expectations, the freedom to experiment was an invaluable currency. What I discovered is that I can still utilize my technique but with the paper on easel had to work much slower than is my norm.
So here is my first go (ever) at this type of thing (both paper type and size). I was very pleased with it. In the end, I did not find it a lesser or transitional work. I will definitely do more large pieces, although with different type of paper.
“Hair Fin” Watercolor & Paper 22×30



I have an ongoing informal series called “A Valentine of Sorts”. The things in it I do not seek out but paint when they organic have popped up in my life and have the color palette I have used in the series. In general, I never beforehand think about subject matter nor color scheme but always do what appeals to me as I bump into it.
The whole series is 5.5×8.5 Watercolor & Paper
With my work i am always seeking to evolve and become better & better. One way I do this is to leave my comfort zone of methodology which I have down pat. All my work falls within a very specific size range. To further mix things up, I have begun doing larger works than our my usual norm. I still prefer my smaller sizes (5.5×8.5 -9×12) but I do enjoy the challenge and have been pleased with all my larger works.
“Mad King” 14×17 graphite & paper

