CINEFIELD® -Constellations

To anyone that reads my blog, it is immediately apparent that I take what I do very seriously. I am writing from the point of view of someone who is a professional working artist, so some of my advice or point of view will not apply to the hobbyist or anyone who has a “regular” job to earn their daily bread.

Numbers on social media & blogs still seem of the utmost importance. Whether intentionally sneaky or not, many people hunt for images, taking without attribution anything that strikes their fancy. You can copyright your image and if it is taken you have recourse. With concept or ideas however, it’s a different problem. If you have a concept that you work to articulate and brand and someone comes along with ten times the followers or who spends half their day online working their sites, it oddly becomes theirs. Unless you have taken the proper precautions.

I have gotten really into my collage and every time I do one i have learned a bit more. I feel with life in general, one must every now and then have an inner dialogue, even about established things that they know, as further articulation can provide more depth and layers to the thing(s). This week marks a year that I have been doing collages. (not my sole output as there has been a novel, short story collection, essays, paintings and countless drawings). While I still like my early ones, I recognize that they have gotten better and better.

One of the reasons this occurred is that I was constantly refining my methodology and philosophy while honing my skill. It may not be necessary for every artist but I came up with a description & mission statement for my collages. I created a word Cinefield® which is now a legally registered trademark.

Cinefield® “Flat, two-dimensional visual works of art on paper which create the feeling of movie like narratives through a composition of image rich and story like printed pictures”

I did this to show my seriousness in the medium but also the great affection which I have for it too. This is my second piece under this newly minted label. As usual, there is no digital magic. I used my trusty scissors on photos which I personally took, applying adhesive with a brush. The piece is 11×14.

CINEFIELD® -Constellations 11×14

Summer’s Last Dusk

I like alternating my collages between the ones which offer the feeling of an open ended narrative and those whose goal is merely to convey a sense of lush beauty.

A key component in the creative process for me with the collages is that it feels fresh for me, otherwise it would be mere mannerism.

I seek to constantly evolve as a way to maintain my own sense of excitement. One way I do this is going outside my established methodology/mission/philosophy. As a new challenge I decided to make a piece which was beautiful but also programmatic. A work with program but which could be enjoyed by the viewer even if they were unaware of program. I have never been a fan of work that seems “blah” until you find out what’s behind it(program/meaning) and then this new gained knowledge makes one nod their head with comprehension as “Ohhh” is uttered.

This piece is 11×14. All the images are photos which I personally took. There is no digital magic worked, as always utilized my trusty scissors and adhesive applied with a brush.

Side note: I received so much positive feedback about my “In the Eights” series I decided to publicly continue it. Temporarily, I am seeking models for the series, send me an email (not through word press) for details.

This Little Piggy

I greatly enjoyed creating my last collage “To the Sea”. I decided to further explore the use of a limited color palette.This piece is a companion piece to my last one in wanting to go by the same “rules”. (limited color palette, utilizing my two main techniques within one piece to equal degrees, smaller sized paper)

As usual I only used photos which I took, my trusty scissors and adhesive applied with a brush. The sort of Maxfield Parish coloring comes from the times of day that I took the photos, all Pre-Raphaelite luminescence playing upon the neighborhood but for a few minutes at a time.

For all my work regardless of medium I prefer a certain amount of density. Especially with my collages, I like the effect of the viewer being able to find new little things with each viewing. An open ended narrative which leads to one’s own personal daydreams.

“This Little Piggy” 11×14

thislittlepiggy

 

 

 

 

Stretching Forms

I am fairly new to collage. Although I had a small learning curve, I continue to refine my process. Once I feel I have it “perfected” I do not want to ever be mechanically go through the act. To keep things fresh I give myself little challenges, or in lieu of that set out for uncharted (to me) territories.

A friend of mine is really into triptychs, so i decided to give that a try. each section of it was 7×10. I was very pleased with the results. The small book I got as to be able to collage when on the road finally came out of quarantine and  I got to try my hand also at working small. These two collages represent firsts for me. I am very pleased with the results. As with all my collages the images I used are from photos that I personally took. I never work any digital magic on them, merely utilizing old school methods of scissors & adhesive applied with brush. Most of my collages are available as prints on my satchi page.

“Triptych” & “Manual Style #1”

 

Firsttriotechmanualstyle