Two Tales: Vertical intoxication/Elation

I can fully appreciate nature. It offers a different kind of inspiration than that of the man made kind. However, I can only go so long without concrete under my feet and the smears of neon streaking the air like forgotten halos.

When based out of Europe some of my friends teased me about this but for them, coming to visit me was their vacation, so it’s understandable that they wanted to see things as would not be encountered elsewhere. A few hours train ride and you can get your fill of mountains, Forrest or ocean. I enjoy it for a day or two, all of it being bearable as I have my pencil in my pocket along with its accompanying little sketch pad.

Right by one of my Parisian watering holes they put up a plaque a few years ago for Poulenc, who had lived in the building. When all his peers were going to Italy, the warmer climes of the South of France & Brazil, he largely preferred to stay in Paris with the concrete under his feet and the availability of a place to stop for a drink every few feet. Now further inoculated against the good natured teasing I swim through the currents of streets and alleys which I could probably now do blindfolded.

“Ok, have fun in Giverny, I am around just working, drop me a line when you guys get back.”

“It’s going to be hot, you sure you won’t come, we can catch a later train.”

“No thank you, I am just working.”

One can not become a connoisseur of a thing without a component of snobbishness. It is an earned right though and so long as it’s not utilized against anyone else, is permissible. I like all kinds of cities and feel the better ones all have something visually to offer by way of inspiration.   The older ones, aside from their obvious architectural attractions, have their winding streets and the sense of happy ghosts. The newer ones, a vertical frenzy, which  when done right is a poem, when wrong (as is the growing case with San Francisco) a generic sprawling mess of metallic stalagmites.

I tried some new things with both these collages. Both are 12×17. As is always the case, I used no digital magic. My trusty scissors & adhesive applied by brush to photos which I took. Two urban valentines of a favorite city.

 

“Our Story” & “What Do You Need Two Lighters For?”

Ourstorywhatdouneedtwoplightersfor

 

Boo-Boo’s Birthday & Other Tales

Currently I am working on a large 22×30 painting. Before & after, i refresh myself by working on my sculptures and collages.  I received so many compliments on my triptych that I decided to continue my challenge/explorations by doing a diptych. I was curious what it would be like to work even smaller, so the two sections of it are 5×9. (smallest so far for me!)

As i continue to refine my technique I have found that I do not go about creating my collages in the same way right across the board. I have a few techniques which I switch back and forth from depending upon the size & images of collage.

Regardless of the size or images I prefer a density of composition & the feeling of an open ended narrative. This allows the viewer to return time and again to the work and find new things, new threads of thought.

My process is old school. I use my trusty scissors and adhesive applied with a brush. There is never any digital magic and I utilize images from photos which I personally took.

“Pinks, Blues & golds. Silhouette sprinkles, the lights all turn to cake. Good or bad everyone is committed to their midnight.” B-Day W.Wolfson

 

“Boo-Boo’s Birthday” 12.5×9 (1st diptych) & “What Do You Need Another Lighter For?” 12×17

firstdiptych1Boobdaywhatdouneedtwoplightersfor

 

 

 

Stretching Forms

I am fairly new to collage. Although I had a small learning curve, I continue to refine my process. Once I feel I have it “perfected” I do not want to ever be mechanically go through the act. To keep things fresh I give myself little challenges, or in lieu of that set out for uncharted (to me) territories.

A friend of mine is really into triptychs, so i decided to give that a try. each section of it was 7×10. I was very pleased with the results. The small book I got as to be able to collage when on the road finally came out of quarantine and  I got to try my hand also at working small. These two collages represent firsts for me. I am very pleased with the results. As with all my collages the images I used are from photos that I personally took. I never work any digital magic on them, merely utilizing old school methods of scissors & adhesive applied with brush. Most of my collages are available as prints on my satchi page.

“Triptych” & “Manual Style #1”

 

Firsttriotechmanualstyle

 

Two Tales

I have always felt that one must have constant inner dialogues, even about things which are already known or established. Further articulation can give more or new ideas in regards to the thing, a jeweler sculpting a gem of thought.

There seemed to be very little learning curve for my collages but I continued to refine my process while also feeling there is always more to learn. An important thing for all artists in any medium is to leave your comfort zone and put aside established methodology. Having to leave the comfort zone fosters evolution and creates stronger chops.

These two collages are both 11×17. I have switched to a wonderful adhesive which allows the actual collages to last (as opposed to initially when only prints of them could be sold) I still do not use any digital magic, Just scissors, adhesive applied with a paintbrush on photos which I took myself.

“Edging Her Bet” & “Threesome”

 

edgingherbetsThreesome

Erratum: I am fairly new to the blogging world. A few observations which may help others out.:

Everyone is blogging for different reasons, some just for fun others with professional aspirations. If you are doing it as more than a way to constructively kill time, spring for the add free version. You could be writing or showing the most inspired content and then in the middle of your efforts is a toe fungus or travel ad. If you were going to job interview you would wear your best outfit to show your seriousness, same idea.

Regardless of why one is blogging, it comes down to wanting to be seen/heard and connect with an audience. If you fire off several posts a day, unless you are H.L Mencken, it is too much. Most people are following AT LEAST a few hundred others. This means you are faced with constantly checking your phone as someone will always be posting or if you set your preferences to receive weekly updates you suddenly have one day (at least) a week with hundreds of emails. It becomes akin to having several televisions on at same time, a sort of babel. There is no way you will be connecting w/as many people as you would like as posts get lost in the stream of non stop deluge of content. At some point the pervading wisdom was “shoot enough bullets into the air you will hit something” Maybe at very start of everyone being on social media but not now. Less but better crafted posts will ultimately do more for you than machine gun approach which as the number of people on e follows grows, becomes too much.

 

Collage

There is a lot of precision in my drawings & paintings. I have always been serious about my sculptures but those are of a completely different process. They are largely improvised on the spot using whatever materials I have around. Often, they are not meant to last.

Collage is fairly new medium to me. They fall somewhere between my paintings & sculpture.There is an element of surrealism in them that does not appear in my work of other mediums. Ahead of time,  I always have in my mind the composition but i also leave room for some improvisations.

My first collages were really large 22×30 inches. They were not meant to last which made it feel freeing. Eventually being all the remained, the photos of the work would themselves become the art.

I used glue sticks and scissors to create my works. With my paintings, they need few days to dry. With the collages as soon as I was finished I needed to snap some photos as pieces would begin curling, bubbling or falling off.

Right out of the gate i got the same feeling of serving the process I get in creating my other works. People were interested in obtaining the actual pieces and not just prints/photos of them.

I invested in several pairs of good scissors and started using adhesive which also coats the works surface as well. In reading up on adhesives I found there is controversy over where images for a collage come from. Depending upon the  country, there are things which are illegal or if not that then despite semantics, a jerky thing to do. Were my images to be lifted I know that I would not be happy about it. This brought about my decision to largely use images from photos which I myself took. An added advantage to this is that it often feels as if collage is not taken as seriously stateside. Collage seems to conjure up images of of someone with nothing to do clipping pictures out of magazines while watching television. Using my own photos bolsters the legitimacy as art form and not mere hobby.

Painting, sculpture, collage, it is never an either or for me. All are part of the whole. I do find my painting helps my achieve more volume and mass in my collages. Now, all my works cross influence and inspire each other.

For drawing I constantly change up what equipment i use, the idea being that I can create work when on the road and in under far from ideal situations ( a waitress’s pencil, the back of a paper bag et al) . A lovely letter from someone compared my collages to jazz. This planted the idea in my head to start doing smaller sized collages as to be able to do them on the road.  I could do them all in pages of a nice notebook, initially using easy to travel with glue stick and applying adhesive once back home.

I enjoy going for the density of composition, which I prefer in all my works, without letting it get too muddy and reduced to visual babel. The initial challenge of achieving this in smaller collage was great fun.

“Xavier Amin Dphrepaulezz”

22×30 inches
We are all living under a fluorescent sky temporarily. To stay productive is a huge help. Anyone who can create beauty, now is the time to do so as a reminder of what we will eventually return to. I named this piece after composer/musician (a.k.a Fantastic Negrito) whose work mixes a deep soulfulness with the lament of the blues and some funk.
Composition wise I utilize my preferred density regardless of medium along w/the feeling of a sort of open ended narrative.

 

20200411_105920Xavier Amin Dphrepaulezz

“Self Portrait” 11×14

These are all photos I took and my first smaller collage. I was very pleased with the results.

WWolfsonSelfportrait

 

Dorothy Dreams of an America Gone

Most of my pieces are only 11×14 at the biggest. I have begun to branch out doing the occasional larger pieces. The main impetus behind this was wanting to leave my comfort zone. To always work in a manner in which one knows they will succeed is to risk lapsing into mere mannerism(s).

I have also started to delve into doing collage. It is a new medium for me but one which I already really enjoy. I take it as serious as the rest of my visual work. I go real old school, utilizing scissors and glue stick and photos which I took, eschewing any kind of Photoshop magic.

An appeal for me is that I can achieve the density which I prefer in my work along with a sort of open ended narrative.

This is my second piece

Dorothy Dreams of an America Gone 22×30 inches

Dorothydreamsgoneanerica

 

 

Last Night We Were In Beta

I do not often work in large scale. I do like to try new things and keep the juices flowing with occasional experimentation.

This piece is 20×30. I did it in old school fashion, utilizing scissors & glue sticks on a cardboard box.  Some of images are photos I took myself then printed off multiple copies of to cut up.

I am very pleased w/the results.

lastnightwewereinBeta