Cinefield® – Lotus

I just finished a new Cinefield®. It was labor intensive. A few things made this one different. I was on the road off and one again over the past few months. Normally I work on a Cini until I am done. This time I worked on it, hit the road, came back to it several times.

There was a definite apprehension about working on such a complex piece in this manner but it ended up stronger for it. The mini breaks allowed me to maintain level on concentration and intensity consistently.

The entire work is comprised from one photo which I personally took, reprinted over and over. I used my trusty scissors to hand cut each tiny piece using a brush to apply adhesive. The picture is 11×17 inches and there was no digital magic utilized.

It occurred to me only while working on this piece the nature of my Cini’s. I always have in my head beforehand the design and the effects/properties i.e this part will glow, here will be darker section etc etc. However, even as I am cutting out the tiny pieces, I do not know where they will ultimately go. It is only as I am laying a piece down that I know where I will put it. I look at each Cini as akin to a piece of music, so that makes the denser ones a sort of improvised symphony. Every Cini possesses the dichotomy of being super controlled while also improvised. It’s Charlie Parker & Schoenberg.

Lotus 11×17

A word about copyright & A.I:

A lot of my peers copyright a work only after a magazine/gallery, whatnot accepts the work. This is a big mistake, as soon as you post your work or submit it, first step in this process should be to copyright it. Generation instagram feels it a victimless crime to take what they want from the web for content beyond pics of them giving heart hands in some sunny local. There’s now plenty of examples too of artists having their works monetized by others . A copyright is not a forcefield, these things are still going to happen, but to have a copyright gives recourse should someone be using what you created without permission. It also makes having things taken down from sites/webpages far quicker too.

A.I is very misunderstood right now by many. It is not creating content so much as reconstituting things already on the web created by others. Whether it is literature or visual work and even music, it’s basically a super system which creates chimera based upon instructions. Most artists regardless of medium have some works online.

Copyright helps protect when your work goes into creating something without permission using this method.

First Her Tears were Purple, Then Blue

I finally had to bite the bullet and get a real camera to photograph my work. This coincides with a greater complexity in my collages. Gone now will be the caveat accompanying images of my work;

“I just used my phone to take the photo, it gives one the gist of the work but not all the dynamics.”

Being a complete luddite, it’s going to take a little bit to become proficient with my camera. The timing of getting it worked out perfectly though as I just completed my most complex work. Ideal thing with which to try out new camera.

As is always the case, the components of the piece are from photos which I personally took. I work no digital magic on the piece, utilizing old school method of scissors & adhesive applied with brush.

I try to alternate between doing my painting and collage. The idea for this one came to me during dinner (the original sketch on back of grocery list pad). I decided to change up my rhythm and do another collage before a painting. Going forward, it will be interesting to see what added vibrancy will be added to my collage as I will be using a far superior camera to photograph my source material.

“First Her Tears Were Purple, Then Blue” 11×17

20200807_10454320200806_12435220200801_133718work in progress

OLYMPUS DIGITAL CAMERA

Stretching Forms

I am fairly new to collage. Although I had a small learning curve, I continue to refine my process. Once I feel I have it “perfected” I do not want to ever be mechanically go through the act. To keep things fresh I give myself little challenges, or in lieu of that set out for uncharted (to me) territories.

A friend of mine is really into triptychs, so i decided to give that a try. each section of it was 7×10. I was very pleased with the results. The small book I got as to be able to collage when on the road finally came out of quarantine and  I got to try my hand also at working small. These two collages represent firsts for me. I am very pleased with the results. As with all my collages the images I used are from photos that I personally took. I never work any digital magic on them, merely utilizing old school methods of scissors & adhesive applied with brush. Most of my collages are available as prints on my satchi page.

“Triptych” & “Manual Style #1”

 

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