Dear Diary

I am now deep into working on my Cinefield®. Of course I never forget how labor intensive it is, but the memory becomes purely intellectual until I start the next one. The mind remembers what the body forgets. In the interim I draw every day. I have two small pads which I have been switching back and forth between.

There is also my photography. I was gifted a “toy” camera. I have slowly been learning how to use it, what it’s voice is, so that we can collaborate. I think whether a pencil or camera, every piece of equipment has its own voice & properties which once you learn you know when to use. Miles had specific horns he used for ballads. No matter what he was playing, he always sounded like him but the flavoring was contributed to by the equipment. So it is for me and all my kit.

The toy camera is not meant to be hi-def or even comparable to what one’s phone does. It intentionally harkens back to those boxy plastic kodak cameras anyone who grew up in the 1970’s/80’s had. (Kodak instamatic 126’s). The pics are lo def and have that look. It is not a filter effect though, but the lens and low MB.

I have noticed some of my peers take photos and then post production add a filter effect or make it black and white and often it’s completely arbitrary. For myself, when I am taking a photo, I have to envision it in black and white from the get go, and not clock through filter options after the fact. Now, with this camera some shots seem to want that older look but without filter. I am lucky it is such small camera as I already carry one or two on me at all times and this wont make bag too much heavier.

Since I won’t have a painting to show for a little, here are some of the sketches I have been doing. I always work quick on them. Sometimes this is a matter of showing off. Always in my head was a practice Matisse did, he would execute portrait drawings intentionally fast. His feeling was if you can capture the essence of a person fast then when taking time for a painting it is easier and also even deeper. There is always a pocket pad on me and even no matter where in the world I am, on my night table.

A Million Ways to Die

For all my work regardless of medium, emotion is my main goal. One way to ensure this happens is fostering a constant evolution.

I received many great responses to my last collage and it is a personal favorite. For my next one, I knew that I wanted to do something as dense but also different.

I limited my color palette which I have done before but this time i went with darker, more somber colors. There is a return to a more outright sense of narrative in this piece too. The last piece was a beautiful scene but not story. To my core I will always be a city boy and now I have created another one to visit in my daydreams.

As with all my collages, there is no digital magic worked. I utilize the old school method of scissors & adhesive applied w/brush to photos which I personally took. (new camera for photo)

“A Million Ways To Die” 11×14  (the lines visible beneath pieces don’t mean anything , they were resting on piece scrap paper w/discarded sketch)

 

20200811_13344520200811_13290820200811_13090720200811_12574220200811_125727Amillionwaystodie

First Her Tears were Purple, Then Blue

I finally had to bite the bullet and get a real camera to photograph my work. This coincides with a greater complexity in my collages. Gone now will be the caveat accompanying images of my work;

“I just used my phone to take the photo, it gives one the gist of the work but not all the dynamics.”

Being a complete luddite, it’s going to take a little bit to become proficient with my camera. The timing of getting it worked out perfectly though as I just completed my most complex work. Ideal thing with which to try out new camera.

As is always the case, the components of the piece are from photos which I personally took. I work no digital magic on the piece, utilizing old school method of scissors & adhesive applied with brush.

I try to alternate between doing my painting and collage. The idea for this one came to me during dinner (the original sketch on back of grocery list pad). I decided to change up my rhythm and do another collage before a painting. Going forward, it will be interesting to see what added vibrancy will be added to my collage as I will be using a far superior camera to photograph my source material.

“First Her Tears Were Purple, Then Blue” 11×17

20200807_10454320200806_12435220200801_133718work in progress

OLYMPUS DIGITAL CAMERA