Si G

This is 9×12 Multi-Media Paper & Watercolor. It is spiral bound but not perforated which means every piece must carefully be cut out of the book with an exacto knife.

I sought to capture the merging of public & private emotions that played upon the face in this piece.

SiG

Last Night We Were In Beta

I do not often work in large scale. I do like to try new things and keep the juices flowing with occasional experimentation.

This piece is 20×30. I did it in old school fashion, utilizing scissors & glue sticks on a cardboard box.  Some of images are photos I took myself then printed off multiple copies of to cut up.

I am very pleased w/the results.

lastnightwewereinBeta

End of Year

Last drawing of ’19. New Year’s Eve.

“You cool?”

“I’m cool baby.”

“Cool??”

“Like Miles at the  Isle Wight Festival.”

The sirens screamed but now it was not a song for me.

W.Wolfson’19

 

9×12 Quick sketch

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Two Pieces

After painting for a few years and garnering some chops, i notice that while my voice is ever present in my work(s) different paper have their own inherent properties. The characteristics each paper brings to a piece is akin to a spice intentionally added to a dish for a desired effect.

 

Here are two pieces I did in same week:

 

“Hey” 5.5×8.5 Watercolor  & Paper

 

“Soak” 9×12 Watercolor & mutli media paper

 

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She is Tall

I like my pieces to exude the feeling that one is a voyeur into a scene. I try to not rigidly state what the viewer is seeing. Pleasure, pain, either or so long as emotion is present.

 

7×10 Watercolor & French Cotton Paper

 

 

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Blue Pen

I have an ongoing informal series called “A Valentine of Sorts”. The things in it I do not seek out but paint when they organic have popped up in my life and have the color palette I have used in the series. In general, I never beforehand think about subject matter nor color scheme but always do what appeals to me as I bump into it.

 

The whole series is 5.5×8.5 Watercolor & Paper

 

Picon et Biere

Traditional beauty bores me. It becomes a generic, fleeting pleasure. With painting it also easily lends itself to being overly academic, lean against the railing baby, tilt your head. I mainly use people I know, I let their naturally occurring body language and emotions present themselves. The true will always be beautiful because it is real.

 

9×12 Watercolor & Multi Media Paper

 

 

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