Back of Hand / City in Blue

Back of Hand / City in Blue

Royal Talens were nice enough to give me some supplies to try out (no strings attached). You can read my reviews at these two previous posts:

Now that I know the paints properties, I have added them into my permanent studio & travel palettes. They have seamlessly integrated in and so my next step is to try them with various types of paper.

When I Initially became serious about my painting, I was mainly using blocks of cotton watercolor paper. This is not ideal to travel with. I had found that it was also very sensitive to weather, one season in Paris it seemed to rain for almost a month and each layer of paint took forever to dry and it didn’t blend as well. These factors plus the increasing price of my preferred brand made me start to explore.

I ended up for a long stretch using a spiral bound pad of Canson watercolor paper. Easy to travel with, not cost prohibitive and of good quality.

In art, I am completely self-taught so I do not know how it may be for other artists, but I see the size a piece is meant to be in my head before ever touching brush to paper. I began to envision works both smaller and bigger than the Canson pad. While continuing to use it, I tried other pads too, preferring the pads over blocks as they are easier to travel with.

On the road my go to pad has been Talen Art Creations Multimedia Pocket Pad 4×4 inches. What I like about it is that I can use it for my Lyra water soluble graphite pieces, watercolors or just drawing. It eliminates my having to have multiple pads in my bag. I do still always have my trusty 3×5 pad in pocket regardless.

At home I mix it up size wise going all the way up to 11×17 size.

In my exploration of the added paints to my palette with various papers I decided to first try them with my old favorite the Canson pad.

Canson Montval Watercolor pad. Spiral bound 140 lb. cold pressed. 5.5×8.5 inch

In doing an extreme close up it presented an interesting challenge. To be able to show volume and mass without the help of showing the outline of the hand which would have served as a guide/clue to the viewer’s eye. The piece is almost abstract. Keep looking, you notice the volume and mass, keep looking you notice little things with each new viewing.

Back of Hand

I have done a lot of portraiture of late but have also always enjoyed doing cityscapes. I want a style but never mere mannerisms and a key to this is to always be challenging myself. I decided to do a cityscape, a nice challenge on a smaller sized paper, especially as it has been a while since I have done one.

City In Blue

Brown Eyes/ Figs

Royal Talen was nice enough to send me equipment to try out (no strings attached). This is the next round of things I tried.

Rembrandt half pan set. The Rembrandt line is professional grade. The pigments are triple ground and suspended in gum arabic. The colors really pop and appear even with every brush stroke.

This set is twelve half pans. They come in a hinged black metal palette box with the logo on the lower left corner. It is compact enough to fit in a coat pocket and has a sturdy build. Two long struts cradle the half pans. Individual metal clamps hold each half pan in place. The entire strut is made to pop out, ease of doing so facilitated by two small handles at either end. This is so that you can replace the cradle once crimps are too loose.

(all pics by me)

Some painters have specific configurations for various subjects and places that they work. They have multiple cradles which they leave loaded up in work specific arrangements. One is popped out or in easily as needed.

There is a hinged metal cover that goes over the half pans when the box is closed. When the palette box is open it lays at an angle. This is a mini paint palette to mix or wet brush. The lid of the palette box can also be used as a larger three section palette or to hold water.

On the underside is a finger loop to hold the box while working plein air. In Paris, on Rue Mouffetard I have seen an aquarellist run a thick elastic through the loop, attaching it to her drawing board.

Some people intentionally want to work from a limited color palette. Others have travel in mind where luggage is often a factor. The size of this kit is perfect to suit either motive. This kit practically demands that one get out there, be it someplace in nature or an out of the way spot on the street, or perhaps a café table and get to work.

I do mostly portraits/ casual faces so some of included colors I would infrequently reached for. I did try all of the colors, they were all noticeably vibrant, easy to darken or lighten using an eye dropper and water (in a porcelain palette).

The kit comes with a travel brush/ A Rembrandt 110 Red Sable. This is a better-quality brush than is often included even with the bigger names in paint companies. It has a cap to protect it when not in use. It cleans up easily with water and watercolor brush soap.

There are water brushes which are a brush with fatter barrels into which you add water. Anyone who does street or café painting could use the kit as is in conjunction with a waterproof pen to create street scenes.

Draw the scene and use one or two colors to stand for in light and shadow (i.e. light blue for the front of a building, dark blue for the side in shadow).

The exciting thing about this kit is the possibilities. Two water brushes, a pocket pad, pencil and the palette box all could easily fit into two jacket pockets or the small section of a backpack.

The thing I have always liked about half pan sets is their portability. It is easy to swap out colors for ones preferred or as they run out, to replace them. Even though not all the colors included in this box were to my preference, I had already been using Rembrandt in my permanent studio set up. All the colors share the same properties and quality.

This set did get me enthused again about doing still life’s which in my body of work had sort of fallen by the wayside.

“Brown Eyes” 9×12 Rembrandt watercolor paper 140 lb cold pressed

“Fig” Talen Art Creations Multi Media pocket Pad 4×4 inches