Lola Wants To Kiss

I do prefer working on smaller pieces but I feel it important for all artists to leave their comfort zone as it fosters evolution. Pre pandemic I had bought several large hand cut pieces of paper in different styles (cold pressed/hot pressed/cotton etc) with no immediate idea what I would do with them.

This was my first time with this paper which is 22×30 hot pressed and not cotton. It handled very differently but I am pleased with the results. The photo taken was with my phone as to give the viewer the gist of it, the skin in person (or had i a better camera) practically radiates a heat of blood flowing just below the surface.

 

20200622_12460320200622_15235920200623_13411920200625_130516Lolawantstokiss

Boo-Boo’s Birthday & Other Tales

Currently I am working on a large 22×30 painting. Before & after, i refresh myself by working on my sculptures and collages.  I received so many compliments on my triptych that I decided to continue my challenge/explorations by doing a diptych. I was curious what it would be like to work even smaller, so the two sections of it are 5×9. (smallest so far for me!)

As i continue to refine my technique I have found that I do not go about creating my collages in the same way right across the board. I have a few techniques which I switch back and forth from depending upon the size & images of collage.

Regardless of the size or images I prefer a density of composition & the feeling of an open ended narrative. This allows the viewer to return time and again to the work and find new things, new threads of thought.

My process is old school. I use my trusty scissors and adhesive applied with a brush. There is never any digital magic and I utilize images from photos which I personally took.

“Pinks, Blues & golds. Silhouette sprinkles, the lights all turn to cake. Good or bad everyone is committed to their midnight.” B-Day W.Wolfson

 

“Boo-Boo’s Birthday” 12.5×9 (1st diptych) & “What Do You Need Another Lighter For?” 12×17

firstdiptych1Boobdaywhatdouneedtwoplightersfor

 

 

 

Magic Hat #2

In the past I have written extensively about how the ready availability of cameras via our phones have made people forget how to look at paintings. People want the same realism in painting that they can achieve with their phones.

This has had a ping-ponged effect  to the mentality of a lot of painters. They seem afraid or embarrassed to have a painting or drawing look “merely” like that. It is pursuit of the hyper realism that makes many works by artists who have chops look freeze dried or still born.

The best authors have always been the best readers (diverse and ever exploring & expanding their taste). Painters have their own version of this, which is looking at art. The internet & amazon make it so that even with sheltering in place, one can have a wealth of images at hand to peruse. And there is no longer any restrictions in regards to what one likes or pulls inspiration from. Read any biography on previous eras and the new had to reject the old or  face harsh criticisms from peers & critics. Now it is possible to catch a spark from both Rothko & Frans Hals and no one would care. It’s a freedom that’s invaluable.

With no chance of doing my yearly European museum crawl this year, i have delved back into my sizeable collection of art books. Even had i only looked at the images, it served as an empowering reminder:

“It is ok for a painting to look like a painting.”

I recently had done a collage where i sought to intentionally make something beautiful for everyone to look at. I have just finished a series of collages and decided to do the same thing with a painting. I was helped in this by utilizing a long time model, her comfort making it natural, the organics adding to the beauty. I just used my cell phone to take the photo, it gives you the gist of the work but in person (or with a better camera) there is more going on).

9×12 Watercolor & Paper “Beauty; Magic Hat #2”

 

magichattwo

 

Stretching Forms

I am fairly new to collage. Although I had a small learning curve, I continue to refine my process. Once I feel I have it “perfected” I do not want to ever be mechanically go through the act. To keep things fresh I give myself little challenges, or in lieu of that set out for uncharted (to me) territories.

A friend of mine is really into triptychs, so i decided to give that a try. each section of it was 7×10. I was very pleased with the results. The small book I got as to be able to collage when on the road finally came out of quarantine and  I got to try my hand also at working small. These two collages represent firsts for me. I am very pleased with the results. As with all my collages the images I used are from photos that I personally took. I never work any digital magic on them, merely utilizing old school methods of scissors & adhesive applied with brush. Most of my collages are available as prints on my satchi page.

“Triptych” & “Manual Style #1”

 

Firsttriotechmanualstyle

 

Blue on Blue

I wanted to make something beautiful but which also gave the viewer no hint as to its size. I will always eschew the standard poses and traditional idea of beauty. It is boring and all blurs together. For me, the real will always be beautiful. A true emotion, bodies and flesh as encountered in everyday life.

This piece is 5×8 Watercolor & Paper “Blue on Blue”

 

blue on blue

Two More Tales

I think one of the most important challenges facing an artists in any medium is to establish their voice. Fame, power etc is relative and at best a side effect. I want a recognizable voice but to never lapse into mere mannerism. One way to avoid this is to foster constant evolution. This does not mean one has to reject whatever chops or artistic mission they have established. Leaving your comfort zone of established methodology shakes things up and prevents any sort of procedural laziness.

Another important facilitator is venturing out past established influences and inspirations. Music is my main source of inspiration and while i have definite favorite touchstones which I will never abandon, i also constantly explore. A dormant aspect of creating for many artists now is an openness past what they know and like.

With my collages, once I realized how much i liked doing them I started refining my process. Then I tried challenging myself by changing the size. Further dialogues with myself, and I realized I wanted to be able to do them on the road. I figured out how to do that. I do not want my collages to be enjoyed but also with the underlying sense of “seen one, seen them all”. To keep things fresh I continue to change the size, not eliminating any (sizes) from my repertoire. My two new current challenges are to do an intentional linked series “Boplicty # 1-?” and a triptych.

All my collages are made with images of photos I personally took. I use no digital magic, just my trusty scissors and adhesive applied with a brush. I want to give the viewer a sense of an open ended, dense narrative.

“She Said” & “Flacco Arrangement” 11×17 inches

shesaidflaccoarrangement